Word: jazzmen
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Dates: during 1950-1959
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Time poses another problem to jazz growth at Harvard, as at any college. Most Harvard jazzmen play for fun, or spare change, and if they find the rat-race for contacts and publicity takes too much time, jazz fades out. A shortage of skilled players and the lack of practice time kills most chances for a well-rounded dixie group--a band without a "weak link." The missing "weak link" makes Gardner's group unique, and even here the talent is one third alien...
...once said, "isn't necessarily just what is improvised after 4 a.m. on 52nd Street." To prove it, he accepted an invitation from Brandeis University last summer to write one of six jazz compositions for the annual Brandeis arts festival. Also represented: Composers Harold Shapero and Gunther Schuller, Jazzmen Charlie Mingus, Jimmy Giuffre and George Russell. Their efforts are now presented by Columbia on an album entitled Modern Jazz Concert. The selections range from Russell's blues-favored All About Rosie, "on a motif taken from an Alabama Negro children's song game," to Babbitt...
What is good in The Horn is its good try at isolating the serious jazzman's special brand of musical thinking. Like most good jazzmen, The Horn had the stuff in his blood. He taught himself to play because nothing else seemed to him more worth learning. His mother took in washing; his father was a railroad hand who advised his son to get some kind of steady colored man's job that carried a sure weekly wage. But Edgar Pool could hear nothing but the music within him. So he played, badly at first, but doggedly...
Full Sphere. Last year's festival, the most successful ever, netted $50,000 (including $5,000 to establish a free clinic for narcotics-addicted jazzmen). The 1958 festival is almost certain to clear even more than that. But as Newport's popularity with the public soars, its reputation among jazzmen is declining. They regard it as a giant public relations carnival-"a jazz supermarket," Trumpeter Davis calls it. Saxophonist Desmond feels that Newport is all right "for the young fellows just getting started," but that established stars "have nothing specially to gain, and the critics present can give...
...this spring, the rage had crossed to Britain, where a song called Tom Hark became the top jukebox hit so fast that record companies have ordered a half dozen new pennywhistle tunes. Princess Margaret herself has cut some kwela steps. Pennywhistle records will soon liven U.S. jukeboxes; American jazzmen (including Clarinetist Tony Scott, Saxophonist Bud Shank, Pianist Claude Williamson) went to Johannesburg to learn and record the new sound...