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Word: jazzmen (lookup in dictionary) (lookup stats)
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...Oscar ("Papa") Celestin, seventyish, oldtime hot trumpeter of New Orleans jazz, best loved in his home town of all the great Negro jazz musicians; of cancer; in New Orleans. At Papa's funeral, more than a thousand friends and ad mirers turned out while two bands of fellow jazzmen played dirges in the two-mile procession to the church...

Author: /time Magazine | Title: Milestones, Dec. 27, 1954 | 12/27/1954 | See Source »

...Real Money. U.S. jazzmen, and particularly Negro jazzmen, continue to find steady success in Paris cellars and bars. The famed Hot Club of Paris has its headquarters in a Pigalle courtyard with four walkways named Rue Armstrong, Rue Ellington, Rue Gillespie and, of course, Rue Bechet. Sidney, who set out on jazz street at ten playing the clarinet in some of the gayer New Orleans brothels, came to be regarded as one of the best jazzmen in the U.S., but never managed to make a steady living at it. Once he ran a pants-pressing establishment in Harlem and only...

Author: /time Magazine | Title: Music: Along the Rue Bechet | 9/20/1954 | See Source »

...Powell Septet (Vanguard LP). A classical label gives jazz the hi-fi treatment, with first-rate results. Seven top jazzmen play as if for themselves, turn out some of today's finest group improvisations. Notable for a long (7 min.), brooding I Must Have That Man, featuring Buck Clayton's trumpet...

Author: /time Magazine | Title: Music: New Pop Records, Mar. 22, 1954 | 3/22/1954 | See Source »

...Bandleader Basie sees new hope for such big outfits as his own 16-piece band. Like other jazzmen of the late '30s, he was forced to cut back in the mid '40s, toured for four years with a small combo. "People were trying to decide whether they were going to like bop," he says. "Nobody was thinking of dancing. Big bands had no place to work...

Author: /time Magazine | Title: Music: Big-Band Jazz | 1/11/1954 | See Source »

Eight selections by almost-blind Pianist Tatum, deserving hero of a whole generation of jazzmen, nimble Guitarist Everett Barksdale, and Slam Stewart, the man with the talking bass fiddle. Typical selections: a surrealist version of September Song, and Just One of Those Things, which goes like sixty...

Author: /time Magazine | Title: Music: New Pop Records, Dec. 7, 1953 | 12/7/1953 | See Source »

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