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Brooklyn-born Napoleon, 51, thinks of his return as a kind of mission. Somewhere, he feels, jazzmen have gotten off the track, both the latter-day Dixielanders and the bopsters, who seldom let you hear the tune. "These kids, now, all on a 'progressive' kick, don't know what they're listening to because they don't know where it came from." Phil Napoleon is doing what he can to set things straight by taking the young crowd back to first principles: "This music we're playing...

Author: /time Magazine | Title: Music: Dixieland Revisited | 6/30/1952 | See Source »

...Indian, she got her start at 17, plugging tunes in a Seattle store for $10 a week, became a radio star with Paul Whiteman's orchestra (1929-34), made records, which have since become collector's items, with most of the leading jazzmen of her day (including ex-Husband Red Norvo...

Author: /time Magazine | Title: Milestones, Dec. 24, 1951 | 12/24/1951 | See Source »

...morning last week, after 53-year-old Jimmy had eaten breakfast, says Mama, "he just up and died." _ When Mama spread the word about Jimmy's last wish, 26 jazzmen called in, offering to play at his funeral. Four were chosen: Lee Collins and Jimmy Ilia, trumpets; Miff Mole, trombone; and Jimmy Granato, clarinet...

Author: /time Magazine | Title: Music: Jam for Jimmy | 10/1/1951 | See Source »

...Manhattan's lower East Side, in a hired hall where such jazzmen as "Wild Bill" Davison and Max Kaminsky blow their horns, the leaders of the U.S. Communist Party assembled last week to tootle their stuck whistles. It was the party's 15th biennial convention. There were placards to set the theme. "Hail the Socialist Soviet Union, Guardian of World Peace," said one. "Seat Red China in the U.N." "Mail Birthday Greetings to Our Leader, William Z. Foster...

Author: /time Magazine | Title: COMMUNISTS: Make-Believe Ballroom | 1/8/1951 | See Source »

...weather slump, when 52nd Street nightclub owners looked glumly at rows of empty tables and cried the blues, Nick's joint on West Tenth Street was having what the surprised musicians themselves called a "winter week." The iron-man stunt was giving Bobby (who, like all hot jazzmen, is an authority on hard times) some memorable paydays. ABC pays him $165 a week for a 40-hour week for 20 hours of actual playing. Grace Rongetti, Nick's widow, pays better than that, complaining only when Bobby gets tied up at the studio and has to send...

Author: /time Magazine | Title: Music: Horn of Plenty | 8/23/1948 | See Source »

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