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...children were taking the wrong route. Mme. Varinet began backing her Peugeot out of the one-way street when suddenly a big black car drove in, and its owner began assailing her with a wordy sermon on the failings of female drivers. To that Josette replied: "Je vous emmerde," an excremental expletive...

Author: /time Magazine | Title: FRANCE: Woman's Lip | 6/28/1971 | See Source »

...scholars who wish, as it were, to set their very stuns'ls in pursuit of their elusive literary quarry. As for the rest of us, one is put in mind of the French Gourmet Brillat-Savarin, who was once offered grapes for dinner. "Non, merci" he briskly replied, "je ne prends pas mon vin en pilules...

Author: /time Magazine | Title: Books: Ha-h'm | 6/14/1971 | See Source »

...Research Center at College Park, Md., is reclaiming glass and metals from res- idue scooped from incinerators. At a cost of $3.52 a ton, he says, his methods yield materials with a potential market value of $12 a ton. Last week New York City's environmental protection administrator. Je- rome Kretchmer. suggested a way to recycle the 73,000 cars that New Yorkers abandon on the streets each year. He urged the state to enact a law making auto buyers give the state a $ 100 deposit for new cars, auto owners $50 for their present car. Once the cars...

Author: /time Magazine | Title: Environment: Gold in Garbage | 2/1/1971 | See Source »

...sometimes seem absurdly long, it is because the authors are bent on enabling a twelve-year-old to turn out a fine puff paste on first try. Still, Julia observes, "you must be interested in good food and good meals and you must have some devil-may-care spirit-je m'en foutisme. There is too much fear of failure in this culture...

Author: /time Magazine | Title: Books: Chefs de Tout: A Cookbook Quartet | 12/7/1970 | See Source »

...Hiroshima, Mon Amour and L'Annee Derniere a Marienbad, Alain Resnais began his explorations of time and space dislocation. His newest film, Je T'Aime, Je T'Aime, is precisely about that dislocation. A man enters a time-machine which looks like a high-school biology model of the human brain: scientists have told him that he will re-live exactly one minute of his life, at a point exactly a year ago. The machine goes berserk, and what follows is a visual montage of the man's past. Time barriers are simply not observed, and jumps from one sequence...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

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