Word: jealous
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Dates: during 1980-1989
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Another thing, considering the rate at which the Cardinals have been succeeding, it seems unlikely that jealous rivals would permit even the common crimes of college sports to go on there unreported. Throughout the Final Four, whistles were blowing all over Texas about some sin or other of the Longhorns. Crum, 49, who eventually rejected an offer to return to UCLA, is three seasons into a ten-year agreement calling for a $1 million bonus if he completes the contract unencumbered by N.C.A.A. probation...
Another Man Ray dancer, MIT sophomore Joe Kohle, says, "Sue's great to work with because we see things the same way. Whenever I start feeling funny about go-go dancing she tells me, 'Don't worry. You go to MIT and these people don't. They're probably jealous...
...should have been surprised by what was clearly the Academy's most complete transgression: its failure to nominate Hollywood wunderkind Steven Speilberg for his directorial effort in The Color Purple. The Academy gave itself away as a bunch of jealous, unappreciative snobs when it failed to commend Speilberg for E.T, choosing to give the Best Director award of 1982 to Sir Richard Attenborough for his crowd control talents in Gandhi...
...dreamy little sloop moored off some idyllic island paradise. And gosh darn, everything would be just fine if Joan (Kathleen Turner) just hadn't accepted that offer from Mr. Tall, Dark, and Handsome Omar-the-Arab (Spiros Focas) to write his biography. Now Jack (Michael Douglas) is all upset--jealous, just like a man--and their blissful little tryst comes to an end as Joan flies off to North Africa to observe Omar in his natural habitat and Jack huffs and puffs all the way back to the Carribean and his precious boat...
...unveiled A Lie of the Mind, the newest, longest (3 hours 45 minutes) and best of his 40-odd plays. Staged off-Broadway by the playwright, Lie superficially resembles yet another Shepardian slice of life among borderline psychotics of the underclass. It opens with the confession of an uncontrollably jealous man (Harvey Keitel) who has beaten his innocent wife (Amanda Plummer) and left her for dead. Before it is over, characters have been shot, pummeled, enslaved and murdered. Yet the play's real action is a coming to terms with the past by the families of both the wife beater...