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...characters in the comedy of misidentifications, adultery, and murder. As Pepita Passionelle, Wagman expressively plays the emotionally fluctuating role of a neurotic actress. In one scene, she breaks into an uncontrollable hysteria then suddenly reverts to her previous composure. Samuels as Camembert, La Passionelle's husband, portrays the scheming, jealous husband with the proverbial evil, insane glimmer in his eye. Camembert is madly jealous of his wife's affections for La Mole, played by Randolph. Randolph, as the foppish lover, saunters around the stage and monopolizes it with his highly stylized movements. The scenes between La Mole and La Passionelle...

Author: By Rebecca J. Joseph, | Title: Savory Theater | 4/14/1982 | See Source »

...last bouquets for Nancy Reagan [March 8]. As Hugh Sidey makes clear, there is nothing wrong with a loving wife, a successful homemaker, a stylish woman, an elegant role model, even if she is the President's lady. All those critics are simply jealous...

Author: /time Magazine | Title: Letters: Mar. 29, 1982 | 3/29/1982 | See Source »

...ninth grade, my twin brother Tom and I managed to acquire what seemed to be the most sought-after job the city of Detroit had to offer. All of the boys at Covington Junior High were uncontrollably jealous of the Doctoroff twins--the new Detroit Piston Ballboys...

Author: By Andy Doctoroff, | Title: My Buddy, M.L. Carr | 3/12/1982 | See Source »

Thus transformed. Molloy takes his liver for success through the employment process, and a short resume workshop of which Machiavelli himself might prove jealous. Dishonesty is the best policy. "If you have an extended unexplainable gap in your resume, you are frankly going to have to fudge. There are several ways you can go about this. You can take the job you had prior to your gap in time and extend it to cover...

Author: By Adam S. Cohen, | Title: Success Made Sleazy | 2/16/1982 | See Source »

...jealous rage Don José kills two men-his lieutenant Zuniga and Carmen's husband García (a character in Mérim&233;e's story). By the time Carmen's turn comes, he has nothing left to lose, no emotion to spend, and he plunges a knife into the kneeling woman's back as if he were an executioner doing his job. For her part, Carmen is an even more explicitly sexual creature than she is usually portrayed. She sings the famous Habanera while engaging in some erotic byplay with a cigar, thrusting...

Author: /time Magazine | Title: Music: Carmen, but Not Bizet's | 12/21/1981 | See Source »

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