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...gorge. Rochelle Owens' play is a sad saga of bestiality. Her preposterous moral is that people are beastlier than animals, particularly to a boy who prefers to make love to a sow. Cyrus Futz (John Bakos) loves Amanda, his sow, like a wife. A nympholeptic human pig gets jealous and goads the village rednecks into slaying the boy, preparatory to killing Amanda...

Author: /time Magazine | Title: New Plays: Futz! | 6/21/1968 | See Source »

Bumps & Grinds. Although dated for today's audience-which Balanchine helped educate-Slaughter was a pioneer work that put ballet on Broadway permanently. With high-fidelity hauteur, Suzanne Farrell stormed tantalizingly through the bumps and grinds of the striptease girl, ably partnered by Arthur Mitchell as her jealous hoofer boy friend. The dance was all show-biz flash, far removed from the cool twelve-tone Balanchine ballets in which Farrell has frequently starred...

Author: /time Magazine | Title: The Dance: A Month of Now | 6/7/1968 | See Source »

...with poverty. It sees any attempt to bring the poor up to or near its income level as a threat to its own position. The view is shortsighted, of course. Being poor in America really isn't much fun. But as long as a large group of voters is jealous of its position, Congress must be careful not to give the poor too much...

Author: By Jerald R. Gerst, | Title: Subsidizing Incomes | 5/31/1968 | See Source »

Another adverse effect of the War on Poverty has been to set deprived minorities in competition with one another for federal aid. Militancy becomes a weapon for winning attention; and the minorities grow increasingly jealous and imitative of one another's extremism. "We've tossed a few crumbs in the middle of millions of the nation's people and said, 'Folks, you fight for it and may the best man win,' " says one high-ranking poverty warrior. "That's a disgrace." Nonetheless, for all its faults, the War on Poverty has at least dramatized the plight of the poor...

Author: /time Magazine | Title: Nation: A NATION WITHIN A NATION | 5/17/1968 | See Source »

...painting without the paint. Director Beck has himself a little whale of a cast, fully equal to the show and with voice enough to fill the theatre and then some. Not a song gets roughed up more than momentarily. And the bulk of them, emphatically "I'll Never Be Jealous Again," "Small Talk," "Hernando's Hideaway" and "Seven and a Half Cents...

Author: By James Lardner, | Title: Pajama Game | 5/2/1968 | See Source »

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