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Word: jealously (lookup in dictionary) (lookup stats)
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...fulltime responsibility, the focus of her existence, but Ed's new purpose all but left her out in the cold. Where once Ed had been out drinking with his cronies, now he was sitting up nights with new cronies, helping to keep them from drinking. "I was suddenly jealous of Ed," she says. "He had a cause, and he was burning with it." Soon she found herself guiltily yearning for the bad old pre-A.A. days. Then Ann was saved by joining Al-Anon, a kind of ladies' auxiliary...

Author: /time Magazine | Title: Medicine: A.A.'s Auxiliary | 12/17/1956 | See Source »

...half-century of hero worship is not the best school for criticism. But though Henderson's judgments on Shaw are uniformly gentle, they are not undiscerning. The only writer of whom Shaw could be said to be jealous was Shakespeare; Henderson concedes the Beard's criticism of the Bard to have been often "provocative, unilateral, unjust, savage and false." And he credits Shakespeare with teaching Shaw "the technique of ultra-naturalism in dialogue," just as Moliere schooled him in "the plotless conversation piece," and Dickens showed him how to exaggerate characters "far beyond verisimilitude...

Author: /time Magazine | Title: Books: Masks of Genius | 12/10/1956 | See Source »

...soprano is custom-built for the role of Floria Tosca, it is Maria Meneghini Callas. From her first entrance at Manhattan's Metropolitan Opera last week, she made the Puccini heroine a creature of fierce temperament; hers was a believable embodiment of a jealous beauty who was willing to make the supreme sacrifice for her lover, and who carves up a would-be seducer with a fruit knife. In addition to her flawless acting, Callas was in full command of her remarkable voice-never luscious, but potent as TNT. She might have been good under any circumstances, but playing...

Author: /time Magazine | Title: Music: Callas' Tosca | 11/26/1956 | See Source »

Julie (MGM) is a regular little pell-meller from the opening scene, in which a jealous husband (Louis Jourdan) quarrels with his wife (Doris Day) while she is driving a car, jams his foot on the throttle, and for the next two minutes gives the moviegoer practically all the sensations of being a member of an avalanche. After that, it somehow occurs to Julie that the man she is married to may not be entirely right in the head...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 19, 1956 | 11/19/1956 | See Source »

...said, then twisted the script with her fingers. "Well no, I guess I don't like her. She's blond and beautiful and, I suppose, I'm jealous...

Author: By Robert H. Sand, | Title: Casting | 10/3/1956 | See Source »

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