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...Jean-Luc Godard described "See You at Mao." the most recent film made by Godard and his associates, as "an attempt to focus on the main forces of class struggle in Great Britain." Godard made his remarks after a showing of the film last night at Lowell Lecture Hall...

Author: NO WRITER ATTRIBUTED | Title: Godard Shows New Revolutionary Film | 4/21/1970 | See Source »

French film director Jean-Luc Godard will speak and show his new film, "See You at Mao." at 8 p. m. Monday in Lowell Lecture Hall...

Author: NO WRITER ATTRIBUTED | Title: Godard to Show Film Next Monday on Mao | 4/15/1970 | See Source »

...equally popular with the honeymoon crowd and the cinq-à-sept set who want to avoid being spotted by relatives or friends in downtown hótels de passé. Such liaisons have already become part of the Gallic tradition; in Une Femme Mariée, Jean-Luc Godard's 1964 film, one love scene is filmed at an Orly hotel. For newlyweds, the nearby Orly Hilton provides free champagne; for transients, it has a special "day use" rate of $13 per room, as opposed to normal nightly rates of from $19 to $35 (obviously this is convenient...

Author: /time Magazine | Title: Modern Living: The City of Flight | 3/16/1970 | See Source »

...Stolen Kisses begins with a shot of the Cinemathique in Paris and is dedicated to Henri Langlois, the popular man who runs it. And indeed the Nouvelle Vague movement in French films owes its existence to the Musee Cinema since most of the men in this movement-Truffaut, Jean-Luc Godard, Claude Chabrol, Erie Rohmer, Jacques Rivette-began their careers as critics for the highly-influential Cahiers du Cinema and have arrived where they are only after a long and detailed study of film history...

Author: By Heodore Sedgwick, | Title: The Moviegoer Stolen Kisses at the Exeter Street Theater | 10/20/1969 | See Source »

...Jean-Luc Godard would certainly resent the comparison, but he makes movies the way some manufacturers make washing machines-with planned obsolescence. Only a few years after their release, Godard films become museum pieces. His innovations are adopted by other film makers, who (like Haskell Wexler in the kinetic Medium Cool) either put his techniques to better dramatic use or (like Agnes Varda in the festival's ludicrous Lions Love) sink beneath the weight of aimless stylistic decoration. Le Go/ Savoir features Jean-Pierre Léaud and Juliet Berto sitting around a TV studio engaging...

Author: /time Magazine | Title: Festivals: Modest Fame | 10/10/1969 | See Source »

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