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...Albert Camus and to Jean-Paul Sartre, who was all but ignored by student rebels in 1968. The art capital of the world has long since moved from Paris to New York, and the Parisian stage is languishing. New works from Alain Robbe-Grillet or from Jean-Marie Gustave Le Clézio, France's best-known young novelist, are still occasions of note, but few other novelists are noted abroad. One exception is France's film makers, especially such directors as Francois Truffaut, Alain Resnais and Swiss-born Director Jean-Luc Godard...

Author: /time Magazine | Title: World: THE FRENCH FACE MEDIOCRITY | 9/26/1969 | See Source »

...JEAN-LUC PONTY, ELECTRIC CONNECTION (World Pacific). Ponty not only plays violin, an unusual instrument in jazz, but he produces streaking arpeggios and comet trails of bent tones with a Coltranian intensity. This album, recorded with Gerald Wilson's orchestra when Ponty visited California last spring, should be enough to convince anyone that the violin can be a stirringly soulful jazz-solo voice. Classically trained, Ponty wails, shrills and sails through Hypomode de Sol, The Name of the Game and Scarborough Fair-Canticle...

Author: /time Magazine | Title: Television: Sep. 19, 1969 | 9/19/1969 | See Source »

...scream off-camera: "Watch out, Haskell, it's real!" Still, Wexler's dramatic attempts to reconcile personal and public crises lead him occasionally to overload his film. The romance never quite has the passion and urgency that it should, and the novice director's infatuation with Jean-Luc Godard deceives him into a gratuitous existential denouement (straight out of Contempt) in which the lovers hear about their involvement in a fatal car crash before it actually occurs. Wexler's sympathies are admittedly with the brutalized young, and he sets out to show the police as almost...

Author: /time Magazine | Title: New Movies: Dynamite | 8/22/1969 | See Source »

...front of the museum fly 14 flags representing the nationalities of the patrons who contributed funds to build it. Among them are Novelist Alberto Moravia, Philosopher Martin Heidegger and Composer Igor Stravinsky, Film Directors John Huston, Ingmar Bergman and Jean-Luc Godard, Diplomat George Kennan and Heart Surgeon Dr. Christiaan Barnard. For those who had thought of Manzù as a strictly religious artist, the museum's collection may be a minor revelation. It demonstrates Manzù's uniquely quattrocento humanistic outlook, a faith and joy in life that could comprehend both genuine piety and unabashed lustiness. Besides...

Author: /time Magazine | Title: Museums: Monument for a Humanist | 8/15/1969 | See Source »

...their stars. Overseas, the director is becoming the star. There may always be the Catherine Deneuves and Marcello Mastroiannis who are billed above the titles of their films. But increasingly the actor in Europe has become less important than the man who calls the shots. When France's Jean-Luc Godard makes a film, the title is virtually irrelevant. Satyricon is the official name of a forthcoming fantasy about the sexual excesses of ancient Rome, but the knowing audience may be attracted more by the movie's unofficial title: "The New Fellini." Such Italian directors as Michelangelo Antonioni...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

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