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...CARABINIERS. When he is not behaving like a brat, Director Jean-Luc Godard can be quite grown up, as he once demonstrated with Breathless and now shows again with this dry, abrasive antiwar film that is at once a satire of post-war Europe and a subtle dissection of aggression...

Author: /time Magazine | Title: Television: Jul. 12, 1968 | 7/12/1968 | See Source »

...CARABINIERS. When he is not behaving like a brat, Director Jean-Luc Godard can be quite grown up, as he once demonstrated with Breathless and now shows again with this dry, abrasive antiwar film that is at once a satire of postwar Europe and a subtle dissection of aggression...

Author: /time Magazine | Title: Television: Jul. 5, 1968 | 7/5/1968 | See Source »

...Pompidous entertain frequently, both at large receptions at the Matignon and at dinner parties for twelve in their apartment, where Pompidou holds forth on everything from his favorite nouvelle vague film director (Jean-Luc Godard) to his favorite poet (Baudelaire, whose work he never reads "without emotion"). In fact, Pompidou ranks somewhere among the literati himself, having begun work on two novels ("It would be entertaining to be a writer") and edited a widely used anthology of French poetry...

Author: /time Magazine | Title: World: POMPIDOU & CIRCUMSTANCE | 7/5/1968 | See Source »

Under Bazin's guidance, Truffaut quickly stabilized and began to write film criticism for Cahiers du Cinéma, the recondite French movie journal that then housed such nouvelle vague cineasts as Jean-Luc Godard and Claude Chabrol. Truffaut proved so corrosive a critic that in 1958 he was banned from the Cannes Film Festival and forced to snipe at targets he could not see. What he could see, however, was Madeleine Morgenstern, daughter of a film executive whose products had received Truffaut's hardest knocks. After they were married, Truffaut continued his criticism, this time...

Author: /time Magazine | Title: New Movies: The Bride Wore Black | 7/5/1968 | See Source »

...collage of footage by six left-wing French directors, including Jean-Luc Godard, Alain Resnais and Claude Lelouch, Viet Nam piously begins by disclaiming any prejudice. It is, says the narrator, "an indictment of American foreign policy, not Americans." But the Americans on camera are treated with savage contempt. General Westmoreland's address to Congress is shown on color TV while someone fiddles with the color and intensity. Hubert Humphrey utters an optimistic appraisal of Europe as "Humphrey, Go Home!" signs parade past the camera...

Author: /time Magazine | Title: Cinema: Far from Viet Nam and Green Berets | 6/21/1968 | See Source »

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