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There are several things that the French designer Jean-Paul Gaultier and Stephen Sprouse, an American, have in common besides an unreserved transatlantic admiration for each other's work. They are young: Gaultier is 32, Sprouse 31. They have, separately, taken fashion off into fresh territory. Gaultier has seized and made salable the dithering extravagances of London street fashion. Hot colors over black? Short skirts? Check out Sprouse for all that. He was hiking up hemlines and pouring Day-Glo over the fashion palette while women were still trying to figure out what the Japanese craze was all about...

Author: /time Magazine | Title: Living: The New Bad Boys of Fashion | 10/29/1984 | See Source »

...self-proclaimed disciple of famous coach Jean-Paul Sartre, Bisconti revealed how he went undercover in Cambridge, lecturing to "40 professors" on the topic of "Existentialism: Its Political Implications...

Author: By Mike Knobler, SPECIAL TO THE CRIMSON | Title: Intuition Says Harvard | 9/22/1984 | See Source »

...beach "in tender insolence." But to Monaco's royal family the only insolence was in the behavior of Paris Match. The Aug. 17 issue featured an eight-page spread detailing the triangular affair of Princess, Delon and her longtime boyfriend Paul Belmondo, 21, son of the actor Jean-Paul. The palace went to court, claiming an invasion of privacy, but a French judge refused to stop publication. Huffed Nadia Lacoste, spokeswoman for the Grimaldis: "I don't think anyone tracks gangsters the way they go after the family." Paris Match returned the fire: "If one wants...

Author: /time Magazine | Title: People: Sep. 10, 1984 | 9/10/1984 | See Source »

...Peter O'Driscoll '84, $1500 for his senior thesis entitled. "The Juxtaposition of Historical and Fictional Narratives in Jean-Paul Sartre's Le Sursis"--Lawrence Wolff, Lecturer...

Author: NO WRITER ATTRIBUTED | Title: Hoopes Prizes | 6/7/1984 | See Source »

...that craft pays to commerce, it still unsettles those designers, usually the best ones, who put a premium on their creativity. "I create an image, but this look often disappears in the stores," says Giorgio Armani. "Buyers tend to misinterpret the idea and the allure of the designers," grouses Jean-Paul Gaultier, whose clothes attempt to transform the pandemonium of London rock fashion into a whimsical redefinition of youth a la mode. "They buy a big, oversized suit in a small size so it becomes superclassic, not all me." Issey Miyake expects buyers "to be creative. Sometimes they...

Author: /time Magazine | Title: Living: Fall Fashions: Buying the Line | 4/23/1984 | See Source »

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