Word: jean-paul
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...with the hard, somber shades of the past few seasons or break loose with the Day-Glo flash of fresh fluorescence? Do they want the newly refined chic of Montana, played down and spiffed up like cotillion costumes for postpunk debs? Or the electric, eclectic, aggressively youthful chic of Jean-Paul Gaultier? Or the Olympian chic of Saint Laurent? And-oh, yes. Is Fort Worth really ready for Versace...
...JEAN-PAUL SARTRE once described Aime Cesaire as a poet who "snatched" surrealism from the Europeans and turned it against them. One of the best-known Black Francophones, Cesaire not only assimilated the dominant culture to attack it eventually, but he transcended the physical and psychological ruins of colonialism and built a new aesthetic. Aime Cesaire: The Collected Poetry shows the evolution of Cesaire's style in a complete and annotated text...
...Jean-Paul Sartre's "Huis Clos" ("No Exit") opened last night in Canaday B-12. Dryansky's suite, and will run at least until Sunday. "Canaday B-12 is well-suited to the play because there's the same chaos in Canaday as there is in Sartre's Hell," Dryansky, who is co-directing the play with fellow Canaday B resident Edward R. Weiner '87, said yesterday...
...believe in anything any more," complains one young writer. With 20% of the urban young in China less than fully employed, and perhaps all of them sharing the disenchantment that is a legacy of the Cultural Revolution, it is small wonder that college students are said to embrace Existentialist Jean-Paul Sartre's views of alienation. Indeed, before the crackdown, "alienation" had become a rallying cry for those who entertained unauthorized views. According to the official press, 600 articles on alienation have darkened Chinese journals since 1978. The most celebrated essay appeared last March in People's Daily...
...ceased to exist on closing night. So Kingsley's Kean is a form of historical evocation, a tribute paid by one actor to another across the gulf of changing theatrical conventions. Other performers-Alfred Drake in a 1961 Broadway musical, Alan Badel in a 1971 London production of Jean-Paul Sartre's play Kean, Anthony Hopkins in a 1979 Masterpiece Theater-have played Kean as a romantic hero. Kingsley's triumph is one of energy over inspiration. He seems not to realize that in a one-man show, the only person he can upstage is himself...