Word: jean-paul
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...Jean-Paul Sartre has said that Negro poetry is "the true revolutionary poetry" of the time, something that transcends race alone. Richard Wright, the father of the black novel, laid claim to "a right more immediately deep er than that of politics or race . . . .that is, a human right, the right of a man to think and feel honestly." In Chicago, a mural on a ghetto wall glowers and glows at passersby in pride and in challenge. Or, hear Owen Dodson...
France today has no apparent successors to Albert Camus and to Jean-Paul Sartre, who was all but ignored by student rebels in 1968. The art capital of the world has long since moved from Paris to New York, and the Parisian stage is languishing. New works from Alain Robbe-Grillet or from Jean-Marie Gustave Le Clézio, France's best-known young novelist, are still occasions of note, but few other novelists are noted abroad. One exception is France's film makers, especially such directors as Francois Truffaut, Alain Resnais and Swiss-born Director Jean...
...Since my English is not that good, I wasn't sure if I'd be playing a hippie or a Hopi. But I see it doesn't make any difference." Decked out as a Hopi Indian in headband, feathers and bear-claw necklace, Jean-Paul Belmondo probably created more of a spectacle in Tucson than he would have in Greenwich Village. In the film, Again, a Love Story, with Oscar-winning Director Claude Lelouch (A Man and a Woman), the Hopi bit is just a brief diversion in the adventures of Belmondo and Annie Girardot, who meet...
...five of his pupils. An active revolutionary who later wielded tremendous power as official painter to Napoleon, a classicist able to bend Greco-Roman ideals to the service of French patriotism, David embodied the contradictions of the century. More important, his gruesomely vivid portrait of the assassinated revolutionist Jean-Paul Marat dying in a bathtub established him as the first artist to make painting relevant to real and immediate events destined for history. "The father of the entire modern school," Delacroix called...
...long time, the theater lagged far behind the cinema in the realistic presentation of sex. Until recently, actors came on as fully clothed as if they were lunching at the Plaza. Then, all of a sudden, playwrights and directors decided that nudity was significant, artistic and serious. In 1965, Jean-Paul Marat briefly flashed his gluteus maximus in Marat/Sade. As the marquis warned in the same play, "The revolution of the flesh will make all your other revolutions seem like prison mutinies." And so it almost...