Word: jeane
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Dates: during 1950-1959
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...Senior Common Room, Tynan ranged, on request, all over the theatrical map. Discussing playwrights unjustly neglected on the commercial stage, he nominated Brecht first of all, added Ibsen, Pirandello and Wedekind, and commented that "Giraudoux has been not neglected, but so often misinterpreted that it's worse than neglect." Jean Genet to Tynan is "a natural, who shouldn't be imitated... He's a bad model but an interesting artist"; Eugene Ionesco is "bright as a button, but he's not a messiah of the drama...
Bordeaux University's Professor Jean Ribérau-Gayon contributed such items as: "The richness of the grape in vitamins of group B has not been stressed sufficiently. Commercial wine is considerably richer in vitamins than commercial grape juice of the same vintage." (Bordeaux happens to be synonymous with claret and sauterne.) Another Bordeaux University professor, Jacques Masquelier, got carried away with the results of some sophomoric experiments. He concluded that claret is on a par with penicillin as a germ killer, hinted that it might be better because it slaughters staphylococci, many strains of which are now resistant...
...handbills by the thousand. "Everything moves. Nothing stands still," they proclaimed. "Stop building cathedrals and pyramids which crumble like lumps of sugar! Stop resisting changeability! Be free! Live!" In the streets below, one man picked up a copy, read it, then shook his fist at the plane. Artist Jean Tinguely, 33, was delighted. "Some will say, 'very good.' Others will object. The overall result will be just what I wanted: total confusion...
...pinwheels, others rotated gravely like segments of an ear trying vainly to reassemble itself. Most were accompanied by sound effects as hidden camshafts thumped cowbells or old teakettles. The opening was notable for three eulogies read simultaneously by three admirers ("An apparatus of Tinguely is useless. An apparatus of Jean Tinguely is meaningful. An apparatus of Tinguely moves only to move...
Born in Switzerland, Jean Tinguely was an early rebel, was expelled from school after school and took up art in desperation at the age of 14. Nine years ago, he quit Switzerland in disgust ("They're suffocating in security and drowning in comfort"), settled in a lean-to shack in Paris' scruffy Impasse Ronsin. There, in a litter of old iron, cooky crumbs and whirling clockwork, Tinguely constructs his "abstractions," erratically watched over by his wife Eva. Says her husband: "She paints the kind of things Edgar Allan Poe would have, if he'd been able...