Word: jeane
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Dates: during 1950-1959
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...live. The commissioners would be top-drawer private bankers-for the U.S., perhaps Chase Manhattan Bank's John J. McCloy or Detroit Bank & Trust Co.'s Joseph M. Dodge; for Britain, Sir Oliver Franks; for West Germany, Chancellor Adenauer's influential banker friend, Hermann Abs. Perhaps Jean Monnet would be added from France, and Escott Reid from Canada. In time, Japan might also be asked to chip in. The idea would be to commit combined large-scale capital investment to those economies, under control of an international authority independent of the donor countries...
...Public Prosecutor Heinz Wolf identified the Puchert attack as the work of a French terror organization called the "Red Hand," and added that "it is highly probable that the Red Hand is an undercover section of French counterespionage." The Red Hand's leader, he said, was Jean Viary, 37, onetime inspector in the French Security Police. And one of his two chief assistants, added Wolf, is a Christian
...Fighting Cock (adapted from the French of Jean Anouilh by Lucienne Hill) reveals an Anouilh more balanced than bitter in mood, and more effective as a philosophe than as a playwright. His play is an often witty variant on a persisting theme, perhaps all the more persisting because it poses an insoluble question. The Fighting Cock concerns a retired general disgusted by a world he finds filled with "cheats" and lost to honor. He would like to stir up a movement to get rid of the "maggots." Against this testy idealist rooted in the past, Anouilh sets a number...
MEMOIRS OF A DUTIFUL DAUGHTER, by Simone de Beauvoir. France's existentialist termagant. Jean Paul Sartre's first lady of the Left Bank cafés, is at least as candid as she is philosophically stubborn. Her memoirs of girlhood owe most of their charm to the surprising fact that her origins were Catholic, her upbringing puritan. She describes all this with considerable grace, ends with a conversion to Sartre's atheism which seems from her own testimony to be just another straitjacket, but one she can wear with arrogance...
Director Truffaut, who also wrote the script with Marcel Moussy, tells a story that derives from his own childhood experiences in a reform school. His hero is a French schoolboy (Jean-Pierre Léaud), about twelve years old, who lives with his mother and father in a Paris tenement. Actually, the boy's father is just a man his mother married when she found herself pregnant-a nice, easygoing nobody who brings home a steady salary and doesn't ask too many questions. The mother herself is no better than she should be: a pretty, shallow blonde...