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Word: jeane (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

TELEPIX: The Crime of M. Lange, a charming flick from one of France's masters, Jean Renoir, tells of an idealistic writer who gives his publisher some of his own medicine...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON WEEKLY CALENDAR | 11/3/1961 | See Source »

...grooming, chauffeur the girls to rehearsals, form auxiliary committees to raise money. Says Mrs. Charles Gehm, whose daughter twirls with the University of Miami's Hurricanettes: "Some of the mothers say that their daughters practice regularly on their own, but don't you believe them. I kept Jean at it, and all the mothers do the same...

Author: /time Magazine | Title: Customs: The Nymphettes | 11/3/1961 | See Source »

...getting older; I get toothaches and headaches, and there's nothing I can do about it"), Magritte lives in a comfortable unbohemian house near Brussels, quietly damning a good deal of what other artists are doing. He has little use for the "brutalists" like Jean Dubuffet. "I find many things beautiful, such as old walls with spots on them," he says. "But if you tell me a wall with its spots is a painting, I say you're wrong." Nor does he think much of action painting: "It's action, not painting." His own work is part...

Author: /time Magazine | Title: Art: Mystery Maker | 11/3/1961 | See Source »

Among the holdovers from the past season, Mary, Mary incites full houses to laugh along with Playwright Jean Kerr. In Camelot, a new King Arthur (William Squire) presides over the Round Table. Irma La Douce is still the most delectable way to tour the Parisian underworld. Broadway's Carnival! yields nothing to its Hollywood model Lili in poignance and charm-and there is always the grande dame of Manhattan's musicals, My Fair Lady...

Author: /time Magazine | Title: Cinema: Oct. 27, 1961 | 10/27/1961 | See Source »

...play's subtitle, Vittoria Corombona, might have been more apt than White Devil for the Loeb offering. The show was a vehicle for Jean Weston's Vittoria, and she rode it majestically. Her fury was never shouted, but came through instead as the disciplined, brittle, half-smiling anger of a real devil. Peter Haskell, though, prevented her from stealing the show. His unconventional Flamineo, more a pimp than a conspirator, lightened Webster's heavy psychologizing. As a commentator he clarified the story; as a murderer, he mad the killer's impulse seem explicable; and even when the action reached...

Author: NO WRITER ATTRIBUTED | Title: Webster's 'The White Devil' | 10/27/1961 | See Source »

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