Word: jeanes
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...Much of the play’s mood comes from incidental music composed for “The Tempest” by Jean Sibelius in 1925. Under the direction of Julia S. Carey ’09, the chamber orchestra near the back of the stage produces a warm, friendly sound. Early in the play, the island ruler (and rightful Duke of Milan) Prospero (Jason M. Lazarcheck ’08) recounts the tale of his exile to his daughter Miranda (Lauren L. Creedon ’11). As he speaks, six dancers take the stage to illustrate his story...
...whole bunch of dead guys, burned out cars and a stash of drugs and a couple million dollars. Obviously, a nefarious deal has gone very wrong and the young man sees no reason not to avail himself of its residue. He's madly in love with his wife, Carla Jean (Kelly Macdonald) and would like to buy her some nice things. He, however, reckons without Anton Chigurh (Javier Bardem), who is an all-star psychopath. His preferred murder weapon is a pneumatic device the ranchers use to put livestock out of their misery and he sometimes asks his potential victims...
...textiles; “drawings” on ceramics; even a “drawing” on a limestone flake. There are also more conventionally-defined “drawings” on paper; a twentieth-century nude by Elie Nadelman shares a wall with works by Jean Auguste Dominique Ingres, Edgar Degas, and an anonymous nineteenth-century artist in Rajasthan, India, among others. The show is organized thematically rather than chronologically or geographically. The seemingly incongruous juxtapositions create a surreal space in which a punch bowl from a 1931 Cowan Pottery Studio Jazz Bowl Series is a blaze...
...spirits that are dancing, hear the music, but the actors can’t necessarily have access to that field of vision during the play. It adds another field of dimension.” Music Director Julia S. Carey ’08 chose Finnish composer Jean Sibelius’ music for “The Tempest” for this production. Just as “The Tempest” was Shakespeare’s final play, this was Sibelius’s last major work. “At this point in his life, Sibelius...
...speech—“Writing as Psychology”—to celebrate the release of the 2006-2007 issue of “Exposé: Essays from the Expository Writing Program.” Pinker stressed the importance of conciseness while highlighting former Tufts President Jean Mayer’s 1982 statement, “Men with guns never starve,” which explained a complex issue involving aid to Poland’s then-military regime. “The monosyllabic words that conjure images immediately [have] stuck in my memory...