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...that's good news for those trying to keep the faith. At ihavemoved.com, Komninos and Anstee remain optimistic about their chances of more funding, although some of it is likely to come from strategic investors rather than venture capitalists. In a three-room office on the outskirts of Paris, Jean-Franĉois Cousi holds out hope that expansion funding is just around the corner for his Francexpress, which rents out servers to Internet companies - even as, in the adjoining room, a co-worker types furiously next to the window, taking advantage of natural light to save money on electricity...

Author: /time Magazine | Title: Nothing Ventured | 3/19/2001 | See Source »

...screen in any form until 1998, despite allowing hot-action het-sex and an alarming amount of rape. For the hottest het-sex in Asia see Korean debutante Jung Ji-woo's Happy End - which won awards at last year's Cannes - with bonking that bests French director Jean-Jacques Beineix's Betty Blue for realistic moan-groan quotient and full-body bump and grind. Today, it seems, Korean directors can do just about anything. 1999's Yellow Hair was a sex shebang with orgies and lesbianism that left the viewer with third-degree eyeball burns. That year's Lies...

Author: /time Magazine | Title: Dirty Movies | 3/19/2001 | See Source »

...Jean-Jacques Annaud created a difficult task for himself when he decided to direct a mainstream film about the battle of Stalingrad. In order to make the film palatable, he had to pull out all the stops. Not only is Enemy at the Gates rumored to be the most expensive film ever made in Continental Europe, but it also stars attractive men with important names-Jude Law, Ed Harris and Joseph Fiennes-and contains one of the best sex scenes in modern cinema. For the most part, Annaud succeeds in his goal; his re-creation of one of the worst...

Author: By Sarah E. Kramer, CRIMSON STAFF WRITER | Title: No 'Enemy' of Mine | 3/16/2001 | See Source »

...Austin Guest '04 ought to be commended. But effort isn't everything, and this mostly freshman production falls flat due to excess and suffers from the problems Strindberg hoped his warning could prevent.The plot holds few surprises. Highborn Miss Julie (Emily Galvin '04), the daughter of a count, seduces Jean, the count's valet, (Geordie Broadwater '04) on Midsummer Eve, behind the back of Kristine (Kayla Rosen '04), the count's cook and Jean's unofficial fiancee. Problems of class and passion, as well as seduction and betrayal culminate in the second act. Resolution can only come by death...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Miss Julie in the Ex | 3/9/2001 | See Source »

...Jean...

Author: By Victoria C. Hallett, CRIMSON STAFF WRITER | Title: Roving Reporter | 3/9/2001 | See Source »

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