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Word: jeans (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...cultures. Six of the 21 features he directed were based on works by American writers, from Cornell Woolrich (The Bride Wore Black) to Henry James (The Green Room), yet they were unmistakably French in atmosphere and obsessions. In Truffaut's pantheon of directors, Hitchcock rubbed shoulders with Jean Renoir, and his own films sizzled with the tension between Hitchcock's manipulative elegance and Renoir's sharp-eyed humanism. The French title of Day for Night, the 1973 valentine to film making in which Truffaut plays a director, is La Nuit Américaine. So it seems sadly...

Author: /time Magazine | Title: Wild Child, Movie Master | 11/5/1984 | See Source »

...hours a day, seven days a week, without ventilation, heat or drinking water. By the time Germany surrendered, more than a third of the 60,000 inmates had died. After being presented with corroborated evidence gleaned from archival documents, testimony and information contained in a 1980 book, Dora by Jean Michel, Rudolph was persuaded to leave...

Author: /time Magazine | Title: War Crimes: Ghosts from the Past | 10/29/1984 | See Source »

There are several things that the French designer Jean-Paul Gaultier and Stephen Sprouse, an American, have in common besides an unreserved transatlantic admiration for each other's work. They are young: Gaultier is 32, Sprouse 31. They have, separately, taken fashion off into fresh territory. Gaultier has seized and made salable the dithering extravagances of London street fashion. Hot colors over black? Short skirts? Check out Sprouse for all that. He was hiking up hemlines and pouring Day-Glo over the fashion palette while women were still trying to figure out what the Japanese craze was all about...

Author: /time Magazine | Title: Living: The New Bad Boys of Fashion | 10/29/1984 | See Source »

There are thundering echoes of the swinging '60s in Sprouse's work-a lime-green sequined dress with a halter collar could have been filched from Twiggy's attic-but his clothes, as Buyer Jean Rosenberg of Henri Bendel in New York City points out, "are not '60s redos. Those clothes were skimpier and skinnier." Sprouse's lines tend to be a little more careful and deliberate, even sculpted, and a lot of his wizardry comes in combinations, like throwing a man-size coat over a mini. Says Pat Henderson of Bergdorf Goodman...

Author: /time Magazine | Title: Living: The New Bad Boys of Fashion | 10/29/1984 | See Source »

...ideas; others are friends of long standing; none is over 32. Gaultier may be an iconoclast, but he has a deep and sometimes surprising respect for other designers. One would expect him to "adore" Vivienne Westwood, the earth mother of punk fashion. But Gaultier also "adores" Giorgio Armani and Jean Muir, and speaks with respect of the old master Yves Saint Laurent. He spends about 85% of his time working, and rides the Metro both to commute and to store up ideas...

Author: /time Magazine | Title: Living: The New Bad Boys of Fashion | 10/29/1984 | See Source »

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