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...that she "shakes up France" [Sept. 18]. As you must know, this country has survived much more dangerous shaking, political or otherwise. And although Royal is quite right in declaring that one should not have to be "sad, ugly and boring to go into politics," what about being modest? Jean-Jacques Luccioni St.-Laurent-du-Var, France Doing Unto Others the issue regarding the treatment of prisoners suspected of being terrorists is fundamental to the strategy for winning the war on terrorism [Sept. 18]. The Bush Administration is living in the world of 50 years ago, a time when wars...
...should applaud their efforts to have come to the plate with issues, passions, and a drive ready to swing for the representation of the under-represented. And if being black, Hispanic, or Asian will help them get there and energize others of their background, then so be it. Patrick Jean Baptiste ’09, a Crimson editorial editor, is a biochemical sciences concentrator in Cabot House...
...like it when I say this, but I am happier with the output of creativity of all our brands than I am with the bottom line." The pressure to create something new, however, is intensified by the pressure to move the huge corporate machine. Even John Galliano and Jean Paul Gaultier, both radical creative catalysts, have had to conform to the corporate spirit of our times. In Galliano's show for Dior, streamlined tweed suits and pared-down chiffon evening dresses in pale shades of gray and pink replaced his signature theatrics...
...reviews and checks the Brattle’s website. This ensures that, for the near future, Bujalski’s films are likely to find a limited audience of cinephiles. And indeed, Bujalski’s influences—as noted by film critics—include John Cassevetes, Jean-Luc Godard, Eric Rohmer: brilliant artists whose work is largely unnoticed by the casual filmgoer.But obscurity is not what Bujalski intends: “My biggest fear at the moment is that my films might be elitist, which I never intended them to be, and I don?...
...website—or at least the type who have friends that do. This helps to ensure that, for the near future, Bujalski’s films find only a limited audience of cinephiles. The influences film critics have said they see in his work—John Cassevetes, Jean-Luc Godard, Eric Rohmer—link him with other brilliant artists whose work is largely unnoticed by the casual filmgoer...