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...beautiful people were back. After a lackluster 2003 session of mediocre films and low celebrity wattage, this year's Cannes Film Festival atoned in substance and style. It boasted a stronger slate of movies (potent new works from Pedro Almodovar, Wong Kar-wai, Zhang Yimou and Jean-Luc Godard) and burst with star power under the brilliant Riviera sun. Waving from the red-carpeted steps of the Grand Palais were your Hankses and Diazes, your Brad Pitts and Mike Myerses--enough representatives of the rich and famous to fill a Cabala convention...

Author: /time Magazine | Title: Movies: The Art of Burning Bush | 5/31/2004 | See Source »

...terminal 2E at France's Charles de Gaulle airport was not only hailed as a stylish triumph of innovative yet practical design; the €750 million complex was supposed to transform Paris into "the most powerful hub in Europe, ahead of Frankfurt and London," boasted Air France CEO Jean-Cyril Spinetta. At full capacity, the terminal's twinned, 650-m-long main structures could handle 10 million passengers a year. Computerized baggage systems would transport luggage with minimal error, while travelers relaxed in the bright, spacious interiors of the tubular buildings. But today 2E is welcoming only the investigators...

Author: /time Magazine | Title: Why Did Charles de Gaulle Take a Fall? | 5/30/2004 | See Source »

...Best Director: (shared) Jean-Luc Godard, Pedro Almodovar, and Zhang Yimou even though their respective films, ?Notre Musique,? ?Bad Education,? and ?House of Flying Daggers? were shown out of competition...

Author: /time Magazine | Title: Palms Up for Michael Moore, Thumbs Down for Bush | 5/24/2004 | See Source »

...Grand Palais. The film selection held some sweet surprises, such as Paolo Sorrentino's deadpan crime comedy Consequences of Love, and a 4 hr. 38 min. Palestinian drama, Yousry Nasrallah's The Gate of the Sun, which overflowed with passion, smart dialogue and a knowing, dreamy poignance. Jean-Luc Godard's Our Music, about the Israel-Palestine conundrum, concluded its dark ruminations by sending its lead character to a heaven patrolled, without apparent irony, by U.S. soldiers. Even the annual French essay in angst, Agnès Jaoui's Comme une Image (Look at Me), displayed a tender wisdom toward...

Author: /time Magazine | Title: The Cannes-Do Spirit | 5/23/2004 | See Source »

Dartfish rose to Olympic glory quicker than Marion Jones. In 1997 Serge Ayer, a graduate student at the Swiss Polytechnic Institute, and his professor Martin Vetterli developed the SimulCam blueprint. Ayer and his brother Jean-Marie, then a Swisscom executive and now CEO of Dartfish Europe, spent Sunday dinners discussing potential applications for SimulCam. They sensed an opportunity on television. Says Serge: "What we saw happening on TV during sport competitions, such as split screen and instant replay, wasn't good enough." Their idea was to layer the positions of two athletes at the same point...

Author: /time Magazine | Title: Gold-Medal Tech | 5/17/2004 | See Source »

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