Word: jeffs
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...Congressman David Obey of Wisconsin received his packet, he shot back a sizzling letter decrying the tactic as "immoral." Stern counters that every ad is meticulously documented and published only after a Senator or Congressman has been offered a chance to tell his side of the story. When Democrat Jeff Bingaman of New Mexico was asked why he did not return a $10,000 gift from the American Medical Association PAC (AM-PAC), Bingaman replied forthrightly, "I can't afford...
...national team since 1975. In the oddest-sounding events, like the men's English match small-bore rifle competition (won by West Virginian Ed Etzel), the impression of a rout was confirmed. Where did the U.S. find Air Rifle Markswoman Pat Spurgin, or Greco-Roman Wrestlers Steve Fraser and Jeff Blatnick, or Cyclists Steve Hegg and Mark Gorski? All have won gold medals...
Mike Heath, at 19 one of the bright new hopes of the U.S. team, swam his 200 meters in front of the pack and beat his West German opponent by a body length. David Larson gave almost a second body length to Jeff Float, another boycott veteran, swimming his last race for the team. Float gave back a little, but when Bruce Hayes hit the water for the final leg, he had a length and a half on the Albatross. Remarkably, Gross had made up almost all of it by the end of the first 50 meters. Hayes kept...
...cookie credo for the no-problem '80s.) There is also a passel of sharp performances. The presence of such actors as Christopher Lloyd (Zenned-out on an inner voice that must sound like Daffy Duck's), Ellen Barkin (with her bruised features and street-angel smile) and Jeff Goldblum (heartthrob of the Mensa sorority) clues Buckaroo Banzai as very chic scifi. Lithgow, the movies' Mr. Versatile (transsexual jock in The World According to Garp, bumbling lover in Terms of Endearment, incendiary preacher in Footloose), here does a manic turn as Dr. Lizardo...
...FINAL SCENE of Spring Awakening, Melchior (Jeff Rossman) crouches in an area of the stage placed amid the audience. He faces a "graveyard" of actors, each sitting in front of a television set, eyes riveted on the screen. He listens to the ghost of his dead friend. Moritz (Christopher Moore) attempt to lure him center-stage, into the graveyard. Moritz, heavily made up, gesturing dramatically and Melchior appearing plain and vulnerable under a dim natural light, create a startling contrast. As Moritz describes the wonders of death, the escape from pain, suffering and memory; Melchior listens silently, confused and afraid...