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...last winter a soprano so shapely, so vividly blonde that she seemed more like a transient from Hollywood than a potential singer of real grand opera. In the Pasha's Garden was such a flaccid, sterile piece, offered such feeble opportunities, that critics would only say that Helen Jepson was unusually pretty, her smallish voice agreeable (TIME. Feb. 4). Last week in Chicago Helen Jepson was put to a stiffer test as the heroine of Thais, the role long associated there with incomparable Mary Garden...

Author: /time Magazine | Title: Music: New Thais | 11/25/1935 | See Source »

...Helen Jepson coached with Garden, simulated the Garden costumes, scrupulously followed the Garden pattern as she changed from glittering courtesan to penitent nun. So far as externals went, Helen Jepson had learned her lesson well. She sang pleasantly and surely, acted more easily than did rich-voiced John Charles Thomas who has had twice her stage experience. But for many a Chicagoan the Jepson impersonation was too careful an imitation of the one her teacher gave. Jepson's good looks were beguiling but she seemed the shadow of Garden as she made her queenly entrance, shamelessly attempted to seduce...

Author: /time Magazine | Title: Music: New Thais | 11/25/1935 | See Source »

Determination is the chief virtue which is helping Helen Jepson to climb fast in opera. She was born 29 years ago in Titusville, Pa., where her father kept a candy and hardware store combined. Her first job was as a corset-fitter in an Akron department store. Then by selling phonograph records she became converted to opera, won a scholarship at Philadelphia's Curtis Institute of Music...

Author: /time Magazine | Title: Music: New Thais | 11/25/1935 | See Source »

...impossible to maintain a creditable resident company. Makeshift is to pay for a few big names to bolster up a list of mediocres. For his trump cards this season Longone will present Lehmann in Der Rosenkavalier, Prague's Mila Kocava in her U. S. debut, pretty Helen Jepson as the profligate Thais, the U. S. premiere of Respighi's La Fiamma, the world premiere of Ethel Leginska's Gale with John Charles Thomas singing and the bushy-haired composer conducting...

Author: /time Magazine | Title: Music: Curtains Up! | 11/11/1935 | See Source »

Pretty Helen Jepson has a husband who plays the flute, a two-year-old daughter as blonde as herself. Pretty Helen Jepson is an expert fisherwoman and her radio contracts have already made her rich. But pretty Helen Jepson had little opportunity to prove herself more than a light, agreeable singer last week in the Metropolitan's latest and most dismal venture into the realm of native opera...

Author: /time Magazine | Title: Music: Dismal Doings | 2/4/1935 | See Source »

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