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...cast appears uniformly sympathetic to the action, though a lack of attention to details detracts from several performances. (Slouched posture and excessive foot stamping do not contribute to the majesty of the two kings.) Jeremiah Riemer as the rogue Autolycus is a particularly entertaining miscreant and Robert Cohen is deft in the role of a faithful courtier. Other actors's readings are often engaging and effective--Charles Genrich's rustic Clearius and Eleni Constantine's dewy-eyed Perdita add sparkle to the humorous second portion of the play...

Author: By Elizabeth Samuels, | Title: Sad Tale for Winter | 12/8/1973 | See Source »

HILLES LIBRARY, The Early Ceramic Internal Combustion Engines of Jeremiah Rippe (1805-ca. 1868) through...

Author: NO WRITER ATTRIBUTED | Title: exhibits | 12/6/1973 | See Source »

...whatever direction it wanted, including uphill. Nearly every piece in the show is supposed to pump either water or air, though why their inventor wanted to tamper with the elements in the first place is left unexplained. The machines' alleged creator, Jim Rippe's mythical great-uncle Jeremiah, was a visionary, not a man of the world. Consequently, his creations are best considered not as merely functional engines, but as mile-stones along his road to salvation by horsepower...

Author: By Mary Scott, | Title: Imaginary Engines | 11/21/1973 | See Source »

...Rippe recounts Jeremiah's whimsical quest in a tape which accompanies the shop. In the best American diehard tradition Jeremiah Rippe flouted convention, defied public opinion, devoted his whole life to the creation of ever more powerful and improbable looking engines, and eventually died, a broken and unrecognized inventor mourned only by his dog. His last creation--the spawn of a mind unhinged by disappointment--was a monstrous machine that was meant to pull his coffin to his grave...

Author: By Mary Scott, | Title: Imaginary Engines | 11/21/1973 | See Source »

...other hand, is alive, and he is at least as present in the show as his imaginary ancestor. He and Jeremiah have a good deal in common. Jim, like his great-uncle, prefers the company of his dog to membership in learned societies. Jim also shares with Jeremiah an appreciation of the purely aesthetic qualities of machinery. The workings of their engines are unfathomable, and unimportant. What matters is that they look powerful. With their gleaming metal fittings, their haloes of mysterious tubing, the no-nonsense names carefully lettered on their sides, and the earth-shaking noises they make, they...

Author: By Mary Scott, | Title: Imaginary Engines | 11/21/1973 | See Source »

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