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...Jeremiah Johnson does everything Dylan wanted to. And the film effectively manufactures and distributes a reigning Western myth...

Author: By Pril Patton, | Title: Sydney Pollack: Mountains and the Man | 1/11/1973 | See Source »

...Pollack, "I'm as much a victim of the romantic myth of 'getting away' as anyone else. My head tells me it's myth but I don't want to believe it is..." Like Redford, who built his own resort and personal retreat in the same Wasatch range where Jeremiah Johnson was filmed. Pollack has a vacation "cabin" with running water, heat, and a dishwater...

Author: By Pril Patton, | Title: Sydney Pollack: Mountains and the Man | 1/11/1973 | See Source »

Pollack feels his film crew struggled with the wilderness much as Jeremiah Johnson did. Jeremiah Johnson's flight from civilization emerges in Pollack's telling, from a battle between cinematic technology and the Utah high country. "Meanings," he says, ought to emerge from the "mood and feel" of a film. The primary fascination which directing holds for him is with "the technical aspects of shooting, what certain lenses can do, how each shot...

Author: By Pril Patton, | Title: Sydney Pollack: Mountains and the Man | 1/11/1973 | See Source »

...with Burt Lancaster and Ossie Davis, marked an innovation in the genre. As Pollack says, "It was a black and white film before black and white films were popular, a kind of funky morality play, a bit larger than life and full of a strange kind of banter." Like Jeremiah Johnson, however it did retain elements of the traditional Western...

Author: By Pril Patton, | Title: Sydney Pollack: Mountains and the Man | 1/11/1973 | See Source »

...start to happen..." The Way We Were may bear this out; in any case, it will be a significant film only it Pollack returns to the film-making which characterized They Shoot Horses, a kind of filmmaking whose depth and control is simply not required to make something like Jeremiah Johnson...

Author: By Pril Patton, | Title: Sydney Pollack: Mountains and the Man | 1/11/1973 | See Source »

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