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Four years ago, when famed, onetime Vienna and Metropolitan Opera Soprano Maria Jeritza tried a comeback in Carnegie Hall at 58, Manhattan critics listened, then gave the sympathetic but firm verdict: no. Two years later in Newark, N.J., when she hired a cast to support her in her famous role of Tosca, critics sadly pronounced the same sorrowful judgment. But last week in Vienna, 62-year-old Maria Jeritza, still blonde, blooming and beauteous, was getting yesses that could be heard halfway to the Wiener Wald...

Author: /time Magazine | Title: Music: Exactly Right for Vienna | 6/12/1950 | See Source »

...Soprano Jeritza herself insisted that her first appearance at the Vienna Opera in 15 years was not a comeback. She was donating the proceeds of the performance towards rebuilding Vienna's bomb-damaged State Opera House. Whatever the purpose, the Jeritza-loving Viennese queued for 22 hours before the shabby little Theater an der Wien to see her again as Tosca...

Author: /time Magazine | Title: Music: Exactly Right for Vienna | 6/12/1950 | See Source »

...second act, when Scarpia (Baritone Alexander Sved) threw her to the floor, he really threw her; Jeritza had insisted on realism. Once on the floor, she sang the famous aria "Vissi d'arte" lying prone as usual.* When Scarpia lifted her to her feet, she pushed him away so hard that the sofa he fell into almost went over backward. In the third act, weeping over the dead Cavaradossi, she managed real tears...

Author: /time Magazine | Title: Music: Exactly Right for Vienna | 6/12/1950 | See Source »

Married. Maria Jeritza, 60, full-fashioned, bubbly opera star of the '20s; and Irving Peter Seery, 57, Newark umbrella-maker and opera-lover; she for the third time, he for the first; in Manhattan...

Author: /time Magazine | Title: Milestones, Apr. 19, 1948 | 4/19/1948 | See Source »

...winter sang the role of the "composer" in Ariadne, was snapped up by the Metropolitan, Halasz sent for Wilma. He had been watching blonde Suzy Morris* almost as long. "I had already decided that she had the finest dramatic soprano voice in the entire country. She is a young Jeritza. Everybody told me I was taking my life in my hands to produce an opera with two singers who had never in their life sung in opera, but I wasn't worried...

Author: /time Magazine | Title: Music: Debuts in Manhattan | 10/20/1947 | See Source »

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