Word: jerk
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Dates: during 1980-1989
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Unlike the eclectic, subtle cuisine at Claire, most restaurants have menus that stick close to or are adapted from native specialties. Coconut-covered shrimp, plantains, codfish and conch in various guises, and the marinated, then grilled jerk chicken and pork are among coast-to-coast favorites. Along with callaloo (a soup of crab meat, kale and pork) and Jamaican meat patties, the chef at Manhattan's Sugar Reef also dishes up the aptly named but pallid "trendy wrapped fish" (perch cooked in banana leaves). At the Sugar Shack in Los Angeles, Cuban Moors and Christians (black beans and white rice...
...pleased to begin the evening by presenting the Irving G. Spielberg Award to a man who, some say, has long deserved an Oscar as best actor. Perhaps for his starring debut, in which he courageously demolished racial stereotypes by playing a poor black child ((clip from The Jerk)). Or for the holy rage he summoned as he renounced Kathleen Turner with a ferocious "Into the mud, scum queen!" ((clip from The Man with Two Brains)). And who can forget his transsexual transcendence as a man inhabited by a woman ((All of Me)), or his searing indictment of painful dentistry ((Little...
...novelty-store arrow on your head; blow up balloons, twist them into animal shapes and announce the resulting sculpture as "venereal disease!"; tap-dance maniacally when seized with an attack of "Happy Feet"; then build a movie career running variations on a character you might call the suburban jerk. And mainly this: wait bravely for years until your public gets the comic point...
...more than a million copies. The next year he published a slim volume of short stories, Cruel Shoes; it topped the best-seller list. When he appeared as a Saturday Night Live guest host, the show's ratings would jump by a million homes. His first starring movie, The Jerk, was the third biggest...
...Dorothy Chandler Pavilion, try ignoring Roxanne. It is a sleeper summer hit, Martin's biggest since The Jerk. It is based on an honorable property, Edmond Rostand's Cyrano de Bergerac. It dares to plump for the supremacy of two old-fashioned notions: romantic love as the meeting of true minds and the English language as a tool for wooing and wonder. The script challenges its star to be at once noble and fatuous, strong and swooning, utterly in control and desperately in love -- all of which Martin handles as gracefully as if he'd written it himself (which...