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Even if this sort of scene is off-putting, or you've seen too many Merchant-Ivory productions lately, you may want to give "Shadowlands" a try anyway; it's less a period piece than a contemporary tear-jerker. Debra Winger's role here is uncannily similar to the one she had in "Terms of Endearment." And once again, I cried from the moment she becomes sick until the end of the movie and loved every minute...

Author: By Ann M. Mikkelsen, | Title: Sentimental Education: C.S. Lewis in Love | 1/14/1994 | See Source »

Imagine the playground possibilities for ostracism. No longer will dodge ball be the sole determinant of power. Now sugar will separate the strong from the meek: woe to the first-grader who can't stomach a tear Jerker...

Author: By Molly B. Confer, | Title: We're in for Some Nasty Candies | 7/28/1992 | See Source »

Dominick and Eugene may sound like yet another Hollywood entry in the entertaining tear-jerker genre. It is, but it has a little extra substance. The film does consider social problems. Most of the film occurs in poor, working-class Pittsburgh. Although any conclusions drawn are not controversial (child abuse hurts those involved, and mentally "slow" people can be very nice), Dominick and Eugene can be commended for at least provoking thought about important issues...

Author: By Seth Weisberg, | Title: St. Dominick's Preview | 3/25/1988 | See Source »

...rallying the well-heeled troops, they are struggling to transform their feelings about AIDS and its sufferers into art. Theater has already produced a shelf of contentious dramatic literature: Hoffman's As Is, Larry Kramer's The Normal Heart, Harvey Fierstein's Safe Sex, Robert Chesley's Jerker, or the Helping Hand, Alan Bowne's Beirut. The D.C. Cabaret Troupe is performing its new musical, A Dance Against Darkness: Living with AIDS, in Washington. NBC broadcast the first AIDS TV movie, An Early Frost, in 1985, and this week CBS airs An Enemy Among Us, in which a teenager gets...

Author: /time Magazine | Title: Show Business: How Artists Respond to AIDS | 7/27/1987 | See Source »

...ties with Mister, calling him a creep and setting off with Shug to build a new life. For these few minutes, Spielberg achieves the mix of realism and spiritual triumph that elsewhere evades him. The movie ends with a reunion scene between Celie and Nettie, an obvious Spielbergian tear-jerker that would have been pardonable had the rest of the movie followed a different course...

Author: By Jeff Chase, | Title: The Color Too Purple | 1/31/1986 | See Source »

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