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Word: jessica (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...performed with considerable skill. Jan de Hartog's The Four-poster, a series of lovely vignettes of married life, came off moderately well in the hands of Tad Danielewski and Sylvia Daneel; but the play really cries out for polished husband-and-wife teams like Hume Cronyn-Jessica Tandy and Rex Harrison-Lili Palmer...

Author: By Caldwell Titcomb, | Title: Local Drama Sparks Summer Season | 9/21/1959 | See Source »

...stage piece. The Man in the Dog Suit is not without virtues. Hume Cronyn brings to the title role the sort of skill that can dramatize a problem and humanize a scene, and Jessica Tandy is engaging as the wife. Some of their scenes together flash with intensity as well as theater; Carmen Mathews has a funny interlude as a drunk; scattered moments are touching or sharp. But the man in the dog suit is the same man who has wooed conformity to win security, who has shaken with fright and then shaken himself free, in a dozen earlier tales...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Nov. 10, 1958 | 11/10/1958 | See Source »

...balancing them, his Producers' Theater has brought in Eugene O'Neill's ponderous success, A Touch of the Poet. And other Stevens projects include such items as The Pleasure of His Company, with Cornelia Otis Skinner, The Man in the Dog Suit, with Hume Cronyn and Jessica Tandy, and Daarlin' Man, a musical version of O'Casey's Juno and the Paycock. Some of these may soon rank with earlier Stevens' successes-Four Poster, Tea and Sympathy, Cat on a Hot Tin Roof...

Author: /time Magazine | Title: Show Business: Stage-Struck Shrewdie | 10/20/1958 | See Source »

...parents (Frank Ferguson and Jessica Tandy) are upset by the boy's Indian ways ("He even walks like one," exclaims Actress Tandy, as MacArthur rolls across the room with the widespread stride of a U.C.L.A. halfback). But with patience and Parker working hand in glove, the boy is soon dolled up in pale blue breeches, reading from the Beatitudes and gazing blankly at a wide-eyed bit of fluff (Broadway's Carol Lynley) from across the road. Fess himself makes sheep's eyes at the preacher's daughter (Joanne...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 4, 1958 | 8/4/1958 | See Source »

Laurinda Barrett makes an admirable Portia, in both the latter's personae; and Olive Dunbar is a model Nerissa. Joyce Ebert's Jessica is attractive but vocally uneven...

Author: By Caldwell Titcomb, | Title: The Merchant of Venice | 7/31/1958 | See Source »

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