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Word: jessicas (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Cain saw it, woman was the temptress, and Cora was a wailing siren -Circe in a highway diner. Jessica Lange's Cora is trapped, no less than Nick and Frank, by the grim imperatives of the Depression and her search for the deepest sense of identity through sex. The actress's presence and gestural eloquence provided Rafelson with this point of focus: Cora knows who she is and what men will do to possess her. A fraternity of appraising eyes follows her on the streets, in court, at the diner. One managing, sad-faced, respectably poor-emerges from...

Author: /time Magazine | Title: Cinema: Post Mark of Cain | 3/23/1981 | See Source »

...Cora in The Postman, Jessica Lange is tall and erect and self-possessed. Her anarchic blond hair frames a face dominated by classic cheekbones and sulfurous dark eyes, suggesting a Faye Dunaway who does not yet know she is beautiful. She has the strength and solidity of a heroic sculpture-Maillol's Leda, perhaps-a peasant-goddess rooted in the earth. With this performance, Lange has passed from the status of minor curiosity as the heroine of Dino De Laurentiis' King Kong to that of respected actress and, maybe, star. Jack Nicholson thinks so: he calls...

Author: /time Magazine | Title: Cinema: Post Mark of Cain | 3/23/1981 | See Source »

...child of a dreamer-drifter who changed jobs and home towns every two years, Jessica had developed an active fantasy life, seeing Gone With the Wind 14 times, writing letters as Rhett Butler to herself as Scarlett. Now she would invent a life for Cora, to flesh out the novel's sparse details. Says she: "I imagined Cora's movements from the Midwest to Hollywood. I painted her parents with people familiar to me. I was from the Midwest. I had worked as a waitress. I had a grasp of reality...

Author: /time Magazine | Title: Cinema: Post Mark of Cain | 3/23/1981 | See Source »

Nicholson says that the kitchen-table scene was acted "at a pretty high energy level. You film two people making love, and it is not simple sex. It moves out of reality into an erotic ballet that touches everything: compulsion, love, death. Jessica made me sexy. She does that. Few are the men who do not want to fall at her feet. She's a big, consensus movie sex bomb." Miss Scarlett, meet Mr. Butler...

Author: /time Magazine | Title: Cinema: Post Mark of Cain | 3/23/1981 | See Source »

Other noteworthy performances included freshman Jessica Rice's second-place time of 31.62 in the 50-yd. backstroke, and sophomore Debbie "Sub-Deb" Markson's anchoring 25.70 split on the 200-yd. freestyle relay...

Author: By Caroline R. Adams, | Title: Aquawomen Sink UConn; Floyd, Zimic, Kim Shine | 2/2/1981 | See Source »

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