Word: jestered
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...father, Bri (Albert Finney), has cauterized his pain by becoming a perpetual jester. He uses the child as a kind of ventriloquist's dummy through which to josh, mimic and needle his wife and the world. In a performance of sustained pyrotechnics, Finney does petrifyingly funny parodies of a Viennese neurologist who first assessed Joe's brain damage and of a pipe-sucking Anglican clergyman who is quite unstrung to hear God described as "a manic-depressive rugby footballer." To Joe Egg's mother, Sheila (Zena Walker), the child has become another pet to coddle along with...
...drags out all the old and hackneyed approaches. Predictably enough, world leaders gamble for control of the world. ANNIHILATION! is offered as a game in which "each player must attempt to wipe out as many as possible of the human beings inhabiting the country of his opponent," and even Jester, Ibis and The Blot find themselves trapped in "The World After Armageddon...
...January Overkill Number is only the second Lampoon of the school year (the magazine supposedly appears "eight times a year, September to June, inclusive except January"). One imagines the Poonies spent considerable time amassing the over-sized issue on war. As the Jester says, "We managed to survive, but the tension was great. At moments we came within inches of losing our sense of humor...
...would gainsay William F. Buckley Jr., entertainer, court jester of conservatism. His regrettable ineffectualness as socio-political philosopher-activist is traceable and proportionate to an unconcealed intellectual narcism. Buckley's a mental muscle-beacher who can't resist rippling his grey matter to dazzle bystanders. For sheer sophistic jabberwocky and an excruciating reciprocity of cleverness Buckley's ideal Firing Line partner would be Marshall McLuhan. But stack him against self-educated Dockhand Eric Hoffer, the man of passionately simple convictions, and Buckley would do a fast fade from brilliance. Because he evinces about as much commitment...
...Blot introduction is the prose found under the masthead, usually two or three incomprehensible paragraphs. The masthead page has always been a bastion of mysterious tradition-who is that smug guy passed out on the keg, anyway? LaFarge has made charming personalities out of the three traditional figures, Ibis, Jester, and Blot. At least we get a hint as to who they are any way they are there. LaFarge has exploited the Castle mystique for all it is worth. His piece is a good example of how to be precious and get away with it. Unfortunately, he doesn...