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...following program will be presented: Prelude, Aria et Finale, Cesar Franck Cloches a travers les feuilles, Debussy Poissons d'or, Debussy "General Lavine" (eccentric), Ravel Jeu d'eaux, Ravel El Albaicin, from "Iberia," Ravel "Le vieux monsieur," from "Un coin d'une ruelle sombre," Carl Engel Baren Tang, Bela Bartok No. II from "Drei Klavier-stueke," Opus 11, Arnold Schoenberg Wild Men's Dance, Leo Ornstein Scherzo in B-flat minor, Chopin Impromptu in F-sharp major, Chopin Arabesques on Johann Strauss's "Blue Danube Waltzes," Schulz-Emler...

Author: NO WRITER ATTRIBUTED | Title: PIANO RECITAL TONIGHT AT 8 | 4/27/1916 | See Source »

...LECTURES ON MEDIAEVAL MUSIC. II. In French: Illustrative Instrumental Music and Song. Professor Jean Beck. Lecture Room of the Fogg Museum, 4.30 P. M. La musique des trouveres: la chanson d'amour, de toile, de croisade; la romance; le jeu parti, la pastourelle et la musique de danse...

Author: NO WRITER ATTRIBUTED | Title: University Calendar | 2/12/1912 | See Source »

...Macgowan and J. A. Sullivan (B), C. Dunham and P. R. Danner (C), R. Crosby (D), T. W. Ellis (E); Sect. 20, J. C. Fisher (A), L. W. Pollock and R. J. Shapin (B), C. W. Sroukre and R. A. Wheeler (C), J. D. Wilson (D), J. H. Jeu (E); Sect. 21, S. B. Morrison (A), L. B. Duff and A. M. Rogers (B), M. Winer and S. P. Speer (C), V. V. Thompson (D), J. A. Dipesa (E); Sect. 22, J. M. Harlon (A), A. D. Washburn and M. Sadel (B), J. Slepian and F. A. Jenks...

Author: NO WRITER ATTRIBUTED | Title: List of Ushers for Today's Game | 11/12/1910 | See Source »

Friday, February 14-L'espreuve d'Algesiras. Le jeu des diplomaties a 1a conference et au dehors, 1a resistance francaise, le role des chefs d'Etat, 1a diplomatie et la presse...

Author: NO WRITER ATTRIBUTED | Title: HYDE LECTURES IN FEBRUARY | 12/14/1907 | See Source »

Last evening in the Fogg Art Museum Professor de Sumichrast lectured on Goldsmith and Marivaux. He began by fully summarizing Goldsmith's play, "She Stoops to Conquer," and Marivaux's play "Le Jeu de I'Amour et du Hasard," quoting frequently from each. He proceded to draw a comparison between the two play wrights, vastly to the advantage of Marivaux. He said that Marivaux is superior to Goldsmith in construction and is more thoroughly artistic. In Marivaux's play the analysis is subtle and delicate, the characters carefully and minutely drawn, the interest concentrated throughout. Goldsmith's play is diffuse...

Author: NO WRITER ATTRIBUTED | Title: Goldsmith and Marivaux. | 1/9/1897 | See Source »

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