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...mists. His reading of La Mer shapes all the surge and ebb of the score into crystalline lines and proportions. He heightens the texture of L'apres-midi d'un faune by building a cunning pattern of contrasts in mood and dynamics. In the ballet score Jeux, Boulez delineates the surprising variety of rhythmic pulses to be found within Debussy's floating tempos...

Author: /time Magazine | Title: Music: Debussy Rediscovered | 1/5/1970 | See Source »

Ravel's Jeux d'eau and Debussy's Feux d'artifice rippled with pinks and light blues. Prokofiev's fiery Sonata No. 7 was dramatic and brutal when it had to be, gentle when that was called for. To Manhattan critics in the audience, it seemed that Hollander had never before bared his inner feelings quite so convincingly...

Author: /time Magazine | Title: Pianists: Rebel in Velvet | 2/7/1969 | See Source »

...Prenons la Revolution au serieux, mais ne nous prenons pas au serieux."--voila peut-etre la phraseclef dans ce melange de boutades malines, de jeux-de-mots quasi (ou franchement) obscenes, de citations heroiques. "Je suis marxiste tendance groucho," ecrit un etudiant de Nanterre; "Je jouis dans les paves," declare un autre: nous ne sommes evidement pas parmi de graves doctrinaires. Dans l'ambiance febrile et joyeuse de mai meme les minettes du 16eme aident a la construction des barricades; a la colere, et a la passion anti-gouvernementale se mele un desir incoherent de participer au defi solidaire...

Author: By Nina Bernstein, | Title: French Graffiti | 11/16/1968 | See Source »

DEBUSSY: LA MER, L'APRES-MIDI D'UN FAUNE, JEUX (CBS). Claude Debussy is the father of modern music, and Pierre Boulez is one of France's leading musical experimenters. To hear how Boulez handles these familiar works is to be reminded of how radical they are. "Debussy inaugurated a new and extremely personal type of sonorous universe, new in color as well as in mobility," says Boulez. By simply trusting the new sounds instead of trying to force them into old melodic patterns, he has made his own revolution in the interpretation of Debussy. An important...

Author: /time Magazine | Title: Time Listings: Aug. 9, 1968 | 8/9/1968 | See Source »

...agricultural rules, could ruin Britain economically, said De Gaulle. He further objected to tying the fluctuating pound to the now solid currencies of the Common Market members. He insisted that the Market partners would invariably be caught up in the pound's fluctuations and haughtily dismissed as jeux d'esprit-mental exercises-Prime Minister Wilson's assurances that Britain would never ask the partners to come to the pound's rescue...

Author: /time Magazine | Title: Europe: Le Brushoff | 5/26/1967 | See Source »

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