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Some strange new names were glowing on movie marquees last week-Betty ("Ball of Fire") Rowland, Genii Young, Deenah Prince-and there were stranger things inside. In such films as International Burlesque, a New York outfit named Jewel Productions was profitably peddling a-brand-new movie line: old-fashioned flesh-and-spangle shows straight from the burlesque stage, converted to the screen with slight additions to the costumes and subtractions from the gags...

Author: /time Magazine | Title: Cinema: Canned Burlesque | 4/16/1951 | See Source »

Encouraged by its early success, Jewel had big plans for the future, was already throwing together a new show called Strips Around the World. Jewel's General Manager Samuel Cummins does not expect to displace "live" burlesque yet awhile. "They can show more than we can," he says. But he has no doubts about the prospects of his "specialized films." Says Cummins proudly: "It's a new avenue of film production, and what's more, there's no TV competition...

Author: /time Magazine | Title: Cinema: Canned Burlesque | 4/16/1951 | See Source »

Silvana Mangano plays an earthy young lady who sings up to cultivate rice for a 40-day period. She falls in with a particularly unscrupulous jewel thief and his current moll. In the course of the film she steals a hot diamond necklace from the moll, muscles out the mill, and finally commits suicide in a highly spectacular manner...

Author: By Stephen O. Saxe, | Title: THE MOVIEGOER | 1/4/1951 | See Source »

...Bitter Rice" is a strange combination of modern realism and old-fashioned melodrama. When the jewel thief is shot by his former mill, he doesn't just die--he dies with his wrist caught on a meat hook. Some parts of the film have been out for the benefit of Boston audience's delicate tummies. The most notable and unforgivable of the outs is an episode showing the collapse of a pregnant woman during a rainstorm in the paddies...

Author: By Stephen O. Saxe, | Title: THE MOVIEGOER | 1/4/1951 | See Source »

First-night fans saw a brilliant revolvable set of a little Paris street corner and its bistro. In his scenario, Petit turned the "beautiful woman" of his childhood into a jewel thief who steals diamonds "not to wear or sell, but to eat, like children crunch candy." The first the audience saw of her was a slim white arm and shoulder, snaking out through a hole in the wall to lift the wallets of passersby. When Ballerina Renée Jeanmaire finally turned up in full view (in sexy black tights) to sing & dance...

Author: /time Magazine | Title: Music: The Cruncher | 11/13/1950 | See Source »

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