Word: jeweller
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...summer after his junior year, Fechtor studied under mime artist Jewel Walker at the Carnegie-Mellon School of Drama. Last spring he spent a trimester studying in France with Etienne Decroux, Marcel Marceau's teacher. The 76-year-old Decroux was a strict instructor "For the entire first month I was there he didn't speak to me," says Fechtor. "He just sort of eyed me critically. The second month he began to criticize my work." Like Fechtor, who hopes to go into creative writing or philosophy, Decroux has a strong interest in language--he used to be an orator...
...real jewel of the season promises to be Kurt Weill's great Rise and Fall of the City of Mahagonny, which the Boston Opera is producing in the spring. Mahagonny has a Brecht libretto about the building of the capitalist paradise, the City of Nets, where everyone can do whatever he likes as long as he can pay for it. Mahogonny's best-known number is probably the Alabama-Song, one of two songs Brecht wrote in English, which the Doors popularized a few years ago. But there's so much great, furious music in Mahogonny that it's hard...
...been organized by the Maoist New People's Army, with perhaps 1,500 combat cadres, operating In Isabela province on Luzon Island in the far north of the country. The other is a resistance movement among Moslems in the southern island of Mindanao and on the jewel-like tropical islands of the Sulu Archipelago. While the Maoists have been thrown on the defensive, martial law seems only to have added fuel to the resentments of the Moslems. TIME Correspondent David Aikman visited both fronts, and sent this report...
Impossible. With telling closeups, like Faberge-crafted, peekaboo Easter eggs, Antoon created an almost three-dimensional illusion of depth. Like the Faberge egg itself, this Much Ado was a jewel...
ROHMER HAS STAKED OUT a very narrow artistic ground, and maintains meticulous control of his particular world. Formally Chloe in the Afternoon is a jewel of a film, impeccably cut and polished. It is a movie of manners, and dwells on obsessions fit for a Jamesian drawing room. By now the question to bed or not to bed simply lacks sufficient emotional heat for all the space he gives it. Frederic's prolonged indecision is belabored until it becomes merely academic. The camera does all the stripping Frederic would like to do, yet neither ventures out of the abstract realm...