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Diatoms are the grass of the waters-the major source of energy and sustenance for marine life. A few thousandths of an inch across, the diatom's jewel-like silica case encloses a drop of protoplasm. In it chlorophyll magically manufactures organic matter out of sunlight, carbon dioxide and water. As this photosynthesis proceeds, diatoms multiply by splitting. Though each diatom is invisible, they outweigh in volume and importance all other sea plants combined, including seaweeds which grow as big as oaks...

Author: /time Magazine | Title: Science: Ocean Pasturage | 3/10/1941 | See Source »

Boudoir (by Jacques Deval, produced by Jacques Chambrun) told of a Manhat tan adventuress of the '80s whose assorted bitchery was finally ended by the strangling hands of an Egyptian jewel thief. The play had blackout dullness inconceivable from the author of the glinting comedy Tovarich...

Author: /time Magazine | Title: The Theatre: Floproducers | 2/24/1941 | See Source »

...that India must help to preserve the Empire, for if the Empire falls India will become a prey to less enlightened powers. After victory will come Dominion status. Behind this reasoning lies the cogent fact that one-fourth of Britain's overseas wealth is invested in this brightest jewel in her crown. "Two out of ten Englishmen depend on India," said Winston Churchill...

Author: /time Magazine | Title: INDIA: Jewel in Jeopardy | 2/3/1941 | See Source »

...with California, Colorado, Kentucky, Louisiana, Maryland, Mississippi, Nevada, Wyoming or Little Old New York, is a remnant of pre-War Hollywood economy when a $2,000,000 budget was as commonplace an item in a producer's checkbook as a mink coat for the wife. Needing a fancy jewel to decorate its year's offerings, Columbia allotted it $1,500,000. Producer-Director Ruggles hiked his company off to a location near Tucson, battled weather, dust and sickness last summer until his costs had mounted to $2,250,000. Rival studios, shaving the bumps off their budgets...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 16, 1940 | 12/16/1940 | See Source »

...Institute's Rouaults, ranging back to 1891, showed the pious painter's long preoccupation with circus clowns, tortured Christs, brutal judges, violent nudes, all painted in slashes of black, and brilliant, jewel-like reds, blues, greens which recalled Rouault's early apprenticeship to a stained-glass worker. Boston's plushiest Brahmins viewed the paintings with no murmur of disapprobation, even for a wrenched, very nude Red-Haired Woman, which was one of the high points of the show. Boston's Sanity in Art Society kept mum. Thus had James Sachs Plaut put critics to rout...

Author: /time Magazine | Title: Art: Plaut's Root | 11/25/1940 | See Source »

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