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...Zionism and Palestinian nationalism have always been based in mutually exclusive claims to the land. The Zionist ideology of a Jewish return to build their own state in the Biblical Land of Israel was always dogged by the reality that even after the influx of Jews that followed the Holocaust, they were outnumbered two to one by the Arab residents of Palestine. Even when the international community sought to solve the problem by partitioning Palestine into a Jewish state and an Arab state, the Arab population on the Israeli side of the divide would have constituted 45 percent...

Author: /time Magazine | Title: The Only Way to Mideast Peace | 8/28/2003 | See Source »

...particular the revels of romance. Next to Jewish life, his great topic was love, especially for Bella, the woman he married in 1915. In Lovers in the Red Sky, painted in 1950, six years after her death, a couple flies together through the air, as Chagall and Bella had done in so many of his other paintings. Those airborne pairs are his loveliest contribution to Western imagery, a secular version of Christianity's great floating figures, the Ascension of Christ and the Assumption of the Virgin Mary...

Author: /time Magazine | Title: Art: Magical Modernist | 8/25/2003 | See Source »

Increasingly disillusioned by Soviet rule, Chagall left Russia in 1922. But before he did, he produced one of the high points of this show: a massive canvas that rarely leaves Moscow, Introduction to the Jewish Theatre. Created by Chagall to decorate that city's 90-seat State Jewish Chamber Theater, it was also a manifesto of his deliberately impure aesthetic, in which broad bands of color derived plainly from Suprematism are the backdrop--but only the backdrop--for resolutely nonabstract acrobats and livestock. In the lower right-hand corner, just above Chagall's signature, a man urinates directly into...

Author: /time Magazine | Title: Art: Magical Modernist | 8/25/2003 | See Source »

...Chagall who introduced Jewish life into the mainstream of Western art. Proclaiming the glories of his people by way of his exalted memories, he would become the master poet of the Jewish world, the Walt Whitman of the shtetl. But all his life he also adapted Christian imagery to his own purposes. (Remember those flying lovers?) He returned again and again to the Crucifixion but in versions in which Christ is plainly an executed Jew, his loins wrapped in a blue-striped Jewish prayer shawl. By the late 1930s, in paintings like White Crucifixion, Chagall used Golgotha as a sign...

Author: /time Magazine | Title: Art: Magical Modernist | 8/25/2003 | See Source »

...Many readers felt that writer Joel Stein's antic skepticism was ill suited to the subject of meditation. "He would not have used such a flip, disrespectful tone in an article on Christian or Jewish ritual," wrote a religion professor from Georgia. Asked a minister from Maine: "Why the sarcasm? What was Stein afraid of?" And a New Yorker offered a brief, blunt primer on meditation: "The goal is to calm the mind enough that you don't need to make really lame jokes...

Author: /time Magazine | Title: Letters: Aug. 25, 2003 | 8/25/2003 | See Source »

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