Search Details

Word: jewish (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...point of total self-denial. Yet it can also serve to preserve one’s past and sense of self, and transform itself into a means of affirmation. Julia Pascal’s play-within-a-play, The Dybbuk, explores this perpetual haunting through the lens of modern Jewish identity, in a stark, powerful and moving production, directed in the Loeb Experimental Theater by Graham A. Sack...

Author: By Michelle Chun, CRIMSON STAFF WRITER | Title: REVIEW: The ‘Dybbuk’ Haunts the Loeb Ex | 4/28/2003 | See Source »

...show begins with Rachel, a young Jewish woman (Erica R. Lipez ’05) who reflects on the insecurity and self-loathing of present-day Jews like herself. She states flatly: “I go to Germany and think that Hitler...

Author: By Michelle Chun, CRIMSON STAFF WRITER | Title: REVIEW: The ‘Dybbuk’ Haunts the Loeb Ex | 4/28/2003 | See Source »

...effect, as they act as the play’s own dybbuks—spirits of those who die before their time and return to haunt the living. The actors then turn forward to reveal the stars of David on their coats, and the scene transports us into a Jewish ghetto, where the inhabitants await their delivery to Nazi concentration camps...

Author: By Michelle Chun, CRIMSON STAFF WRITER | Title: REVIEW: The ‘Dybbuk’ Haunts the Loeb Ex | 4/28/2003 | See Source »

...actors stand boxed in a wire cage that dominates the stunning and effective set, designed by Andrew D. Boch ’03. The set immediately establishes the production’s high level of professionalism. Inside this holding pen, the five characters bemoan their hunger, fatigue and their Jewish identity that has led them to this fate. Naomi (Sarah L. Thomas ’04) insists that she doesn’t belong with the others because her mother was a Christian, while Rachel asks whether any of the prisoners even believes in God and whether being Jewish...

Author: By Michelle Chun, CRIMSON STAFF WRITER | Title: REVIEW: The ‘Dybbuk’ Haunts the Loeb Ex | 4/28/2003 | See Source »

NOWHERE IN AFRICA. This year’s Oscar winner for best foreign film sheds new light on the exodus of one small group German Jewish refugees in the late 1930s. It’s the tale of Walter Redlich, a Jewish lawyer who goes to Africa to live with the European expatriate community (which is now mostly Jewish) in and around Nairobi. After opening with scenes of his family’s comfortable home life back in Germany, the film depicts the Redlichs adapt to their new home on a desolate Kenyan farm and struggle with relationships between family...

Author: NO WRITER ATTRIBUTED | Title: Listings, April 25-May 1 | 4/25/2003 | See Source »

Previous | 446 | 447 | 448 | 449 | 450 | 451 | 452 | 453 | 454 | 455 | 456 | 457 | 458 | 459 | 460 | 461 | 462 | 463 | 464 | 465 | 466 | Next