Word: jewison
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Dates: during 1960-1969
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...wrong, Hot Millions is not an ugly movie. Director Eric Till manages to capture the non-ugly features of his characters and the charm of the middle-class London settings. (And he does it without resorting to the gratuitous flashiness of a Norman Jewison work). The jokes provided in the Ustinov-Ira Walach screenplay are unfailingly gentle, and, in the case of some bits involving Robert Morley and Casar Romero, quite funny. What the film lacks in physical beauty and glamour, it replaces with humour and heart. I'll take two inarticulate bumblers falling in love while their dinner burns...
...style could be purchased, Norman Jewison, normally a versatile, canny director (The Russians Are Coming, In the Heat of the Night), would surely have included it. Unable to do so, he has turned out a glimmering, empty film reminiscent of an haute couture model: stunning on the surface, concave and undernourished beneath...
...just along for the ride," McQueen stops acting and settles for a series of long poses. Dunaway, hired before Bonnie and Clyde was released, is used solely as a clotheshorse out for a long gambol. Giving his film a "now" look and his characters an ironic, detached air, Director Jewison obviously hoped to play his movie cool. But there are several degrees between cool and frigid: a degree of wit, a degree of plot and a degree of that old unbuyable, style. Their absence stops the movie cold...
...small-town cop who knows he is The Law, the wobbly waddle in the sun that evokes languidity induced by oppressive heat. To achieve the effect, Steiger relied on his standard technique: total immersion. "I've never seen a man become a role so much," recalls Director Norman Jewison. "Two weeks after we started the picture it was almost impossible to talk to Rod Steiger because he was in a Southern dialect night...
...annual National Student Film Festival. Jointly sponsored by the National Student Association, the Motion Picture Association of America and Manhattan's Lincoln Center for the Performing Arts, the festival last month showed entries from 37 colleges, which were judged by a panel that included Directors Norman Jewison (In the Heat of the Night), Irving Kershner (The Flim Flam Man), and Producer Philip Leacock (Gun-smoke). The prizewinners in the contest's four major categories...