Word: jewison
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Dates: during 1970-1979
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...home town. For once, the audience cheers when the hero doesn't kill his enemy. CINEMAS 57 II: 10, 12, 2, 4, 6, 8:10, 10:20. Fiddler on the Roof. The musical comedy, for all its shmaltz, was great, and the film is a faithful transcription. Norman Jewison directs competently, Oswald Morris's photography is breathtaking, and Topol's Tevye--virile and touching. CHERII THEATER...
Fiddler on the Roof. The musical-comedy for all its shmaltz, was great and the film is a faithful transcription. Norman Jewison directs competently, Oswal Morris's photography is breathing, and Topol's Tevy--virile and touching. CHERII THEATER...
Fiddler on the Roof. The musical comedy, for all its shmaltz, was great, and the film is a faithful transcription. Norman Jewison directs competently, Oswald Morris's photography is breathtaking, and Topol's Tevye--virile and touching. CHERII THEATER...
Fiddler on the Roof. The musical comedy, for all its shmaltz, was great, and the film is a faithful transcription. Norman Jewison directs competently, Oswald Morris's photography is breathtaking, and Topol's Tevye-virile and touching. CHERI I THEATER...
...role of Tevye, which he created on the stage. He has been replaced for unfathomable reasons by the Israeli star Topol, who labors under the handicap of having to project great amounts of charm and personality when he has none to spare. The credits for Fiddler list Norman Jewison as producer and director. On the basis of this and past efforts (The Thomas Crown Affair, Gaily Gaily), he might better be called an anaesthetist...