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...Cincinnati Kid, Norman Jewison's favorite of his own films, and quite likely his finest. Steve McQueen is the kid who forsakes love and security to challenge Edward G. Robinson's supremacy at five-card stud. This film is for poker what The Hustler was for pool, and powerful performances by McQueen, Robinson, Karl Malden, Joan Blondell, and Tuesday Weld overcome some weaknesses in the script. Despite this glittering cast, however, the entire show is stolen by a cameo appearance by the Jack of Diamonds. Channel...

Author: NO WRITER ATTRIBUTED | Title: television | 7/2/1973 | See Source »

...home town. For once, the audience cheers when the hero doesn't kill his enemy. CINEMAS 57 II: 10, 12, 2, 4, 6, 8:10, 10:20. Fiddler on the Roof. The musical comedy, for all its shmaltz, was great, and the film is a faithful transcription. Norman Jewison directs competently, Oswald Morris's photography is breathtaking, and Topol's Tevye--virile and touching. CHERII THEATER...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/14/1972 | See Source »

Fiddler on the Roof. The musical-comedy for all its shmaltz, was great and the film is a faithful transcription. Norman Jewison directs competently, Oswal Morris's photography is breathing, and Topol's Tevy--virile and touching. CHERII THEATER...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/11/1972 | See Source »

Fiddler on the Roof. The musical comedy, for all its shmaltz, was great, and the film is a faithful transcription. Norman Jewison directs competently, Oswald Morris's photography is breathtaking, and Topol's Tevye--virile and touching. CHERII THEATER...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/7/1972 | See Source »

Fiddler on the Roof. The musical comedy, for all its shmaltz, was great, and the film is a faithful transcription. Norman Jewison directs competently, Oswald Morris's photography is breathtaking, and Topol's Tevye-virile and touching. CHERI I THEATER...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/3/1972 | See Source »

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