Word: jewison
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...Norman Jewison is Hollywood's most current rising young director, having tackled in his last two movies the problems of international and interracial coexistence, having packed them in with each, and having still more recently won the endorsement of Bosley Crowther, the critic's critic. The Jewison success story is in part a triumph of personal public relations, because back when he was boasting such dubious credits as Send Me No flowers and The Cincinnati Kid, Jewison was already giving interviews in which he posed as an emerging auter...
...deep solutions are suggested in this subtle and meticulously observed study. Yet Director Norman Jewison has used his camera to extract a cer tain rough-cut beauty from each protagonist. He has shown, furthermore, that men can join hands out of fear and hatred and shape from base emotions something identifiable as a kind of love. In this he is immeasurably helped by performances from Steiger and Poitier that break brilliantly with black-white stereotype...
...Russians Are Coming were as good as its best actor, the laughter might reach gale force. Sad to say, Director Norman Jewison and Scenarist William Rose, working from a novel by Nathaniel Benchley, seem too anxious, or too unsubtle, to sound the depths of a delightfully quirky human comedy. Instead they try too often for ding-dong farce, calling on a corps of hard-sell comedians to transform the townfolk into strident cartoons. Jonathan Winters as an addled police officer, Ben Blue as an irrelevant drunk, and Paul Ford as a sword-swinging Legionnaire are the chief offenders, since their...
...card duel between the two hot-handed pros generates all the expected tension, and Director Norman Jewison exploits it fully. The grim-to-garish background seems authentic. The jargon sounds right. And McQueen v. Robinson put on a bristling good show whenever they interrupt their marathon long enough for a few words of subtly guarded small talk-about health, luck, woman trouble, anything that might make an opponent's mind wander...
However, nearly everything about Cincinnati Kid is reminiscent of The Hustler. Director Jewison can put his cards on the table, let his camera cut suspensefully to the players' intent faces, but a pool shark sinking a tricky shot into a side pocket undoubtedly offers more range. Kid also has a less compelling subplot. Away from the table, McQueen gambles on a blonde (Tuesday Weld) and on the integrity of his dealer pal, Karl Maiden. Pressure comes from a conventionally vicious Southern gentleman (Rip Torn), whose pleasures include a Negro mistress, a pistol range adjacent to his parlor, and fixed...