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...harder they try, the more they exhaust your interest. Penn forces the audience into active participation to keep track of characters and motivations, and consequently loses all control. Four Friends is the celluloid equivalent of a Jackson Pollock painting, splashing everything about the sixties--sex, drugs, rock, JFK, the moon shot, draftcard burnings, racial tension, etc--into one amorphous mass, demanding more emotion and extracting more then it's worth. Penn and screen writer Steve (Breaking Away) Tesich drape images of America--idealistic immigrants, the national anthem, a flag-burning--with out ever evoking an emotion. The "action" drags...

Author: By David M. Handelman, | Title: The Sixties Reinvented | 2/4/1982 | See Source »

There seems to be a conflict between praising and damning America but it is all done with TV-movie style images. The race conflict only emerges in two confused, isolated noncommital instances, JFK is reduced to a poster on a wall and a picture on a beach ball; and going to Victnam apparently has no effect on Tom other than providing him with an Oriental wife...

Author: By David M. Handelman, | Title: The Sixties Reinvented | 2/4/1982 | See Source »

...Ronald Reagan's State of the Union message. Together, we can embark on a new beginning. The Union must stop growing, lest it begin to rot. Return responsibility to the grass roots and in the process root out the weeds. Invoking leaders as varied as Churchill, Lincoln, FDR and JFK, the president struck many poses. Four spring immediately to mind...

Author: By Laurence S. Grafstein, | Title: The Mistake of the Union | 1/29/1982 | See Source »

President Bok? "On the issue of the location of the JFK Library, Bok folded as he does on almost everything. He's the Abe Ribicoff of college presidents. Whichever way the wind blows, "Goodwin charges. And he concludes: "Outside of the sciences and the professional schools, there has been some serious deterioration. But it's rich and well-built. Probably be around forever...

Author: By Stephen R. Latham, | Title: Of Richard Goodwin, Galileo and Social Theory | 4/24/1981 | See Source »

...twisting their words of hope and fortitude into justifications for heartless conservatism. These are words that many lower middle class Italians of Prince Street remember clearly; these are the leaders they still worship. Jimmy Carter knew he couldn't climb onto a marble throne next to FDR or JFK, but he also knew his audience would respond to a protest against any trivialization of the progressive ideal...

Author: By Paul M. Barrett, | Title: Mr. President | 10/18/1980 | See Source »

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