Search Details

Word: jimi (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

DIED. Johnny Jenkins, 67, acrobatic, left-handed blues guitarist who as a boy jammed with a guitar he made from a cigar box and rubber bands, then went on to deeply influence Otis Redding and Jimi Hendrix; after a stroke; in Macon, Ga. As a gofer for the Pinetoppers, Jenkins' college-circuit ensemble, Redding drove the band to Memphis, Tenn., in 1962 to make a record for Stax Records, and during a lull sang These Arms of Mine. When the song became Redding's breakthrough hit, Jenkins, who feared flying, opted not to tour with the rising star. The flamboyant...

Author: /time Magazine | Title: Milestones Jul. 10, 2006 | 7/2/2006 | See Source »

...subdued introduction simmers to a major key climax before burning out in an extended, guitar-wanking, minor-key conclusion. The muddy, intoxicated instrumentation of “Where There’s A Will There’s A Whalebone” quotes a section of Jimi Hendrix’s “Third Stone from the Sun” just before entering a borderline-psychotic rap by L.A. emcee Busdriver. Musical cameos aside, the instrumentation is by far the album’s most stunning virtue. The rhythm section locks tightly into the groove of each song, demonstrating...

Author: By Nicholas K. Tabor, CRIMSON STAFF WRITER | Title: Islands | 4/19/2006 | See Source »

...couldn't not listen to music if Paul Allen was your partner. So Jimi Hendrix helped form [slipping into a monster-movie voice] "the Brain of Bill...

Author: /time Magazine | Title: Q&A | 12/19/2005 | See Source »

BILL GATES: I've always been a music fan. Paul [Allen, Microsoft's co-founder] played guitar and made sure I knew all the Jimi Hendrix songs. He's a real music nut. Not many people create a music museum. [Allen founded Seattle's Experience Music Project...

Author: /time Magazine | Title: Q&A | 12/19/2005 | See Source »

...even better, made more ambiguous--by its smallest elements. He also helped redefine the knucklehead weirdness of snapshot photography as a powerful new aesthetic. The foregrounds washed out by flash, the figures cut off by the edge of the picture, the odd foot that pokes into the frame--like Jimi Hendrix, turning the "error" of amplifier feedback into another kind of guitar riff, Friedlander used those "gaffes" to get places where mere perfection could never take him. His pictures, with their lyrical congestion, don't resolve into a single meaning. They have a dozen. Not one of them...

Author: /time Magazine | Title: Photography: The Case for Clutter | 6/5/2005 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Next