Word: joachim
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...Japan, no smiles wreathed the face of Otto Henkell Jr., head of Henkell & Co., leading West German champagne house. Otto Henkell was having trouble in the family-Cousin Rudolf again. A West German court ruled that Otto must hire 31-year-old Cousin Rudolf, whose father, Joachim von Ribbentrop, was once a Henkell champagne salesman-and "not our best salesman, either," as Otto often said...
...After Joachim von Ribbentrop was hanged as a Nazi war criminal in 1946, his widow Anneliese (nee Henkell) produced a legal compact that Henkell & Co. had been nudged into signing in 1942-when ex-Champagne Salesman von Ribbentrop was at the height of his power as Hitler's Foreign Minister. It stipulated that, if she requested it, son Rudolf would be appointed manager after he had worked for the firm two years...
Debussy: Pelléas and Mélisande (Irene Joachim, soprano; Germaine Cernay, contralto; Jacques Jansen, tenor; Paul Cabanel, bass; Etcheverry, baritone; the Yvonne Gouverné Chorus and orchestra, Roger Désormiére conducting; 6 sides LP). This recording grew out of a 40th anniversary performance of Debussy's nebulous nightshade opera at the Paris Opéra-Comique in 1942. It is now released for the first time in the U.S., and Pelléas partisans will find it well worth the wait. Recording: excellent...
...Queney and Holmboe will do most of their work on the ground with pencils and scratch pad. The chief practical scientist of the airwave project is German-born Dr. Joachim Kuettner, former world record glider pilot, who will fly and watch others fly into the waves themselves...
...most feared music critic of his day (1825-1904), and one of the most justly renowned of all time. Writing for the last 30 years of his career in Die Neue Freie Presse, he had contemporary subjects worthy of his talents: Franz Liszt, Clara Schumann, Anton Rubinstein, Joseph Joachim, Richard Wagner, Johannes Brahms and Giuseppe Verdi. A trained musician and respectable pianist himself, Critic Hanslick was sometimes caustic, but he was always careful. His claim was that "I never criticized a composition that I had not read or played through, both before and after the performance...