Search Details

Word: joan (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Passion of Joan of Are. Carl Dreyer's examination of the trial and execution of Saint Joan is the most effective expression of religious suffering and faith on film...

Author: NO WRITER ATTRIBUTED | Title: the screen | 11/2/1972 | See Source »

...TRUTH ABOUT MY MARRIAGE, said the headline of a story in which Joan Kennedy unburdened herself to the Boston Sunday Herald Traveler and Sunday Advertiser. On Ted Kennedy: "I am more in love with him than ever." On rumors about other women: "I am bored to tears with gossip about Ted and his so-called illicit romances. I simply go in and ask him about them and that's all." On rumors about Ted and Amanda Burden: "Pure nonsense. Of course I know Amanda. Not intimately, but we've met at parties." On sympathizers...

Author: /time Magazine | Title: People, Oct. 30, 1972 | 10/30/1972 | See Source »

...trouble is that half the cars on Western highways these days must have writers of one sort or other behind the wheel. There is getting to be rather a literary traffic tangle in which only the best drivers-Joan Didion on the Los Angeles freeways, Ross Macdonald in the canyons, Larry McMurtry on the asphalt-beribboned deserts-can make the trip worth...

Author: /time Magazine | Title: Books: Fall Collection | 10/23/1972 | See Source »

...Joan Ganz Cooney, 42, creator of TV's Sesame Street, is an unabashed nonexpert in banking who nonetheless considers herself a proper choice for a directorship of Philadelphia's First Pennsylvania Banking & Trust. Chairman John R. Bunting, she says, "knows that I can't comment with intelligence on most financial issues, but I can comment on issues of social responsibility" -including the bank's services to the poor and the elderly. Mrs. Cooney has addressed meetings of the bank's women employees and sees herself "as a symbol of good faith on the part...

Author: /time Magazine | Title: DIRECTORS: Women on the Board | 10/16/1972 | See Source »

Works donated by collectors and by the artists themselves for the auction represented such artists as Joan Miro whose child-like graphic form went for $450. George Rickey whose kinetic sculpture of coiled wires sold for $1100, and Richard Anuskiewicz whose optical color patterns of acrylic on board brought $2350. Harvard's artists were represented by Toshi Katayama's silkscreen from the Kyoto Series selling for $175 and a color polaroid of toys and toothbrush by photographer Fred Brink...

Author: By Meredith A. Palmer, | Title: Art for McGovern | 10/14/1972 | See Source »

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