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Word: joan (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...almost all his films. Dreyer pays loving attention to faces and to gestures in Gertrud. His famous The Passion of Joan of Arc is almost entirely a study of the faces of Joan and her tormentors. "What I want to do," Dreyer writes, "is to penetrate, by way of their most subtle expressions, to the deepest thoughts of my actors. For it is these expressions which reveal the personality of a character, his unconscious feelings, the secrets hidden deep within his soul." It's a technique Bergman often uses, as John Cassavetes does in Faces. Bathed in blinding white light...

Author: By Elizabeth Samuels, | Title: The Last Link in a Chain of Dreams | 1/6/1972 | See Source »

...JOAN L. ALLEN...

Author: /time Magazine | Title: Letters, Jan. 3, 1972 | 1/3/1972 | See Source »

...only flaw in programming was the dull Bach Cantata No. 51. Not even a magnificent trumpet obbligato part could redeem the initial aria. Joan Heller, the soprano soloist,' has a beautiful voice remarkable for its evenness. Her diction was good and one could only wish for more variation in dynamics. It was a mistake to use a harpsichord against the full string body: Gerald Moshell pushed the instrument as much as possible and all it produced was a distracting non-tonal jangle. With smaller forces, though, it was quite adequate; and the continuo playing included some appropriate ritards...

Author: By Kenneth Hoffman, | Title: Midnight at Sanders With the HRO | 12/15/1971 | See Source »

...Joan Miro plays with curves and lines more as writing than as contours of space, but his calligraphy does not deny the spatial qualities of linear forms. His Woman In the Night provides the viewer with the sensation of being watched by a three-eyed, large-footed smiling female form, whose physical balance is as precarious as the barbell forms floating and swinging around her. Done on a white background with black objects, the work recalls the Japanese brushpainting and calligraphy that influenced many of the surrealist artists. The seducing elements of Miro's works are the imaginative and playful...

Author: By Meredith A. Palmer, | Title: Some Pulitzers for the Fogg | 12/14/1971 | See Source »

During his first 30 months in New York, Falk found stage and TV work for all but six days. His credits included Siobhan McKenna's St. Joan and numerous TV tough-guy roles, among them an Emmy-winning performance on the Dick Powell Show...

Author: /time Magazine | Title: Television: A Mutt for All Seasons | 12/13/1971 | See Source »

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