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...that actorly self-absorption is a dish best served cold sober. How sublimely unconscious of their own silliness are Nicholas Farrell's Tom, engaged to play Laertes, but full of intellectual pretense ("Hamlet is Bosnia..."), and Julia Sawalha's Ophelia, stumbling about because she refuses to wear glasses onstage. Joan Collins does such a nice turn as a high-powered agent that one fancies she might make a go of acting if writing novels continues to sour for her. Branagh sometimes sacrifices bite to the sentiment so endemic to show biz. But this bustling, affectionately knowing film is never slow...

Author: /time Magazine | Title: CINEMA: SWEET SILLINESS | 2/26/1996 | See Source »

...COULD ARGUE THAT AS A WAY TO BRIGHTEN UP A LONG GRAY WINTER, Joan Collins' suit against Random House was the literary equivalent of the Forbes campaign in Iowa--wacky, saturated with money and ultimately embarrassing to all concerned...

Author: /time Magazine | Title: PRIMARY FIXATION | 2/26/1996 | See Source »

...Apparently Joan Collins discussed the writing process while she was on the stand," my wife said one morning. True. Arguing that Random House's response to her manuscript should have been to send over a couple of the gnomes it keeps in the basement to write the books celebrities sign, she described the writing process as "a living amoeba...

Author: /time Magazine | Title: PRIMARY FIXATION | 2/26/1996 | See Source »

...public was favored with novels by, yes, Joan Collins, Ivana Trump, Martina Navratilova, Britt Ekland and supermodel Naomi Campbell, whose publisher provided her with a 250-word synopsis of her book so that she would be able to discuss it with reporters. Fabio has published fiction too. "He was fabulous on ideas," says Ellen Edwards, who edited the chesty male model...

Author: /time Magazine | Title: BOOKS: DAMSEL IN DISTRESS | 2/19/1996 | See Source »

...House imbroglio arose because the publisher finally felt shame at the prospect of putting out more bad prose under a big name. But it is equally possible, as Collins claims, that Random House decided the market for brand-label fiction was collapsing (or at least the market for the Joan Collins brand, once Dynasty left the air in 1989) and that the publisher could never earn back the $4 million it had promised the eager author...

Author: /time Magazine | Title: BOOKS: DAMSEL IN DISTRESS | 2/19/1996 | See Source »

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