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Viewed from Broadway, it looked like Mount Rushmore in Manhattan. Joan Sutherland's face was almost 70 ft. high. Leonard Bernstein's baton was as big as a flagpole, and Baryshnikov finally stood as tall as his talent. The giant figures were all performing on an enormous screen that covered the facade of the Metropolitan Opera House. The innovative sound-and-light spectacle marked the 20th anniversary of Lincoln Center for the Performing Arts...

Author: /time Magazine | Title: Music: Lincoln Center's Big Bash | 6/4/1979 | See Source »

...critics do not seem to have ruffled Pfeiffer. "The pressure doesn't get to me," she insists. Somewhat defensively, she also says of her role in handling the unit managers' scandal, "I'm not the avenging angel. I'm not Joan of Arc." Her edgy employees would probably accept those statements. Trouble is, they are not quite sure yet just...

Author: /time Magazine | Title: Television: NBC's Mrs. Clean | 5/14/1979 | See Source »

...feel like some misplaced Joan of Arc...oh God give me something, give me something to give, a reason to live, set me free...I don't need your fuckin SHIT!....I HAVE NOT SOLD MYSELF TO GOD BABY WAS A BLACKSHEEP-BABYWASAWHORE! BABY GOT BIGERRNBIGGERNBIGGA! BABY GET SOMETHIN' BABEEGETMORE--BABYBABEE BEEBEE WAS A ROCKNROLLNIGGA! [outside is society a waitin' for me] are you ready to be heard...

Author: By David A. Demilo, | Title: The Street Symbolist Finds Her Ark | 5/8/1979 | See Source »

...story is simple, taken from a novel by Joan Lindsay, who refuses to reveal whether it was based on a true event or not. In the year 1900, a group of school-girls go to Hanging Rock, an ancient volcanic outcropping, for a picnic. Three girls and a teacher disappear. One girl is found a week later, but no teace of the other three is ever seen again...

Author: By Susanna Rodell, | Title: Down Under | 4/26/1979 | See Source »

British wit also characterizes the Dunster House production of Shaw's Heartbreak House. Though not lacking in Shavian verbal cleverness, this play is atypical Shaw in certain ways. It abounds in action, making it less talkative than Man and Superman or Saint Joan. The characters are more three-dimensional and very finely drawn; they espouse philosophies, instead of embodying them, as is so often the case with Shavian types. Often, in fact, they seem to echo characters of other plays by Shaw, only they turn out not to be what they seem. This motif runs through Heartbreak House...

Author: By Scott A. Rozenberg and Troy Segal, S | Title: The Best of all Possible Locations... ...Pinball's Better in a Fishbowl | 4/26/1979 | See Source »

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